MARC Record from marc_columbia

LEADER: 02093cam a2200373Ii 4500
001 12361482
005 20170717133731.0
008 170120t20162016gw a b 100 0 eng d
020 $a3957633095
020 $a9783957633095
035 $a(OCoLC)ocn956396171
035 $a(OCoLC)956396171
035 $a(NNC)12361482
040 $aYDXCP$beng$erda$cYDXCP$dOCLCQ$dOHX$dTXA$dNKM$dJPG$dOCLCF$dERASA
050 4 $aND195$b.I58x 2016
082 04 $a700.411
245 00 $aIn terms of painting /$c[editing] Eva Ehninger, Antje Krause-Wahl.
264 1 $aBerlin :$bRevolver Publishing,$c[2016]
264 4 $c©2016
300 $a303 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $aRooted in the international conference Hidden Forces: Painting in the 1960s and 1970s (MMK Frankfurt, 2013), this book reconsiders the role of painting through essays that examine its presence and practice in this defining period of postmodernism. As such, painting can be seen as an embattled parameter in an evolving anti-formalist discourse, a parallel activity within an artists oeuvre, or as conceptually integrated in another medium. Besides a reconsideration of artists like Donald Judd, John Baldessari, and Robert Morris, it provides in-depth analyses of lesser-known artistic positions, and of those whose relation to painting has remained largely unexplored until now.$cPublisher.
504 $aIncludes bibliographical references.
505 0 $aCanonical forces -- The pictorial and materiality -- Not painting but "painting": artistic reinvestigations -- Shifts in perspective.
650 0 $aPainting, Modern$y20th century$xHistory$vCongresses.
650 7 $aPainting, Modern.$2fast$0(OCoLC)fst01050988
648 7 $a1900-1999$2fast
655 7 $aConference papers and proceedings.$2fast$0(OCoLC)fst01423772
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aEhninger, Eva,$eeditor.
700 1 $aKrause-Wahl, Antje,$eeditor.
852 00 $bfaxlcn$hND195$i.I43 2016g