MARC Record from marc_columbia

LEADER: 03412pam a2200505 i 4500
001 12362658
005 20170319220611.0
008 160502s2017 caua b s001 0 eng c
010 $a 2016020694
020 $a9780520288867$qhardcover$qalkaline paper
020 $a0520288866$qhardcover$qalkaline paper
020 $a9780520288874$qpaperback$qalkaline paper
020 $a0520288874$qpaperback$qalkaline paper
024 $a40026760656
035 $a(OCoLC)ocn948339271
035 $a(OCoLC)948339271
035 $a(NNC)12362658
040 $aCU-S/DLC$beng$erda$cCUS$dDLC$dYDXCP$dBTCTA$dBDX$dOCLCO$dOCLCF$dERASA$dNhCcYBP
042 $apcc
043 $an-us---
050 00 $aN6512.5.M63$bL38 2017
082 00 $a709.73/09043$223
100 1 $aLatimer, Tirza True,$eauthor.
245 10 $aEccentric modernisms :$bmaking differences in the history of American art /$cTirza True Latimer.
264 1 $aOakland, California :$bUniversity of California Press,$c[2017]
300 $ax, 183 pages ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction : "eccentric propositions" -- Dix portraits -- Four saints in three acts -- View, American issues -- Conclusion : "How to look at modern art in America".
520 $a"'What if we ascribe significance to aesthetic and social divergences rather than waving them aside as anomalous? What if we look closely at what does not appear central, or appears peripherally, or does not appear at all, viewing ellipses, outliers, absences, and outtakes as significant?' Eccentric Modernisms places queer demands on art history, tracing the relational networks connecting cosmopolitan eccentrics who cultivated discrepant strains of modernism in America during the 1930s and 1940s. Building on the author's earlier studies of Gertrude Stein and other lesbians who participated in transatlantic cultural exchanges between the world wars, this book moves in a different direction, focusing primarily on the gay men who formed Stein's support network and whose careers, in turn, she helped to launch, including the neo-romantic painters Pavel Tchelitchew and writer/editor Charles Henri Ford. Eccentric Modernisms shows how these 'eccentric modernists' bucked trends by working collectively, reveling in disciplinary promiscuity, and sustaining creative affiliations across national and cultural boundaries"--Provided by publisher.
650 0 $aModernism (Art)$zUnited States$xHistory$y20th century.
650 0 $aHomosexuality and art$zUnited States$xHistory$y20th century.
650 0 $aGay artists$zUnited States$xHistory$y20th century.
650 0 $aEccentrics and eccentricities in art.
650 7 $aEccentrics and eccentricities in art.$2fast$0(OCoLC)fst01202199
650 7 $aGay artists.$2fast$0(OCoLC)fst00939057
650 7 $aHomosexuality and art.$2fast$0(OCoLC)fst00959813
650 7 $aModernism (Art)$2fast$0(OCoLC)fst01024442
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aLatimer, Tirza True, author.$tEccentric modernisms$dOakland, California : University of California Press, [2016]$z9780520963658$w(DLC) 2016021461
852 00 $bfaxlc$hN6512.5.M63$iL38 2017