Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:156559297:4003 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:156559297:4003?format=raw |
LEADER: 04003cam a2200493 i 4500
001 12365148
005 20170918165808.0
008 161109t20172017caud b 001 0 eng c
010 $a 2016052008
019 $a961310986$a961900681
020 $a9780520294295 (cloth : alk. paper)
020 $a0520294297 (cloth : alk. paper)
020 $a9780520294301 (pbk. : alk. paper)
020 $a0520294300 (pbk. : alk. paper)
024 $a99970509544
035 $a(OCoLC)1001545733
035 $a(OCoLC)oc1001545733
035 $a(NNC)12365148
040 $aCU-S/DLC$beng$erda$cCUS$dDLC$dYDX$dBDX$dOCLCF$dNNC
041 1 $aeng$hfre
042 $apcc
050 00 $aML3800.S252$bT713 2017
082 00 $a781.1$223
100 1 $aSchaeffer, Pierre,$d1910-1995,$eauthor.
240 10 $aTraité des objets musicaux.$lEnglish
245 10 $aTreatise on musical objects :$bessays across disciplines /$cPierre Schaeffer ; translated by Christine North and John Dack.
263 $a1707
264 1 $aOakland, California :$bUniversity of California Press,$c[2017]
264 4 $c©2017
300 $axli, 569 pages :$bcharts ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aCalifornia studies in 20th-century music ;$v20
504 $aIncludes bibliographical references and index.
505 0 $aBook one. Making music. The instrumental prerequisite ; Playing an instrument ; Capturing sounds ; Acousmatics -- Book two. Hearing. "What can be heard" ; The four listening modes ; Scientific prejudice ; The hearing intention -- Book three. Correlations between the physical signal and the musical object. Ambiguities in musical acoustics ; Correlation between spectra and pitches ; Thresholds and transients ; Temporal anamorphoses I: timbres and dynamics ; Temporal anamorphoses II: timbre and instrument ; Time and duration -- Book four. Objects and structures. Reduction to the object ; Perceptual structures ; Comparative structures: music and language ; The conventional musical system: musicality and sonority ; Natural sound structures: musicianly listening ; The reduced listening system: musical dualism ; Musical research ; Morphology of sound objects ; The laboratory ; Typology of musical objects (I): classification criteria ; Typology (II): balanced and redundant objects ; Typology (III): eccentric sounds ; Working at our instrument -- Book six. Theory of musical objects. Musical experience ; Generalising music theory ; Theory of homogeneous sounds: criterion of mass ; Theory of fixed masses: dynamic criterion ; Theory of sustainment ; Theory of variations ; Analysis of the musical object as it generally appears ; Implementation ; The meaning of music -- Penultimate chapter : in search of music itself -- Post-script.
520 $a"The Treatise on musical objects by Pierre Schaeffer is regarded as his most important work on music and its relationship with technology. Schaeffer refers to his earlier research in musique concrète and expands this to suggest a methodology of working with sounds resulting from the recording process. Drawing on acoustics, physics, and physiology, but also philosophy and the relationship between subject and object, Schaeffer's book summarizes his theoretical and practical work in music composition. North and Dack present an important book in the history of ideas in Europe that will resonate far beyond electroacoustic music."--Provided by publisher.
650 0 $aMusic$xPhilosophy and aesthetics.
650 7 $aMusic$xPhilosophy and aesthetics.$2fast$0(OCoLC)fst01030408
700 1 $aNorth, Christine,$etranslator.
700 1 $aDack, John,$etranslator.
776 08 $iOnline version:$aSchaeffer, Pierre, 1910-1995, author.$tTreatise on musical objects$dOakland, California : University of California Press, [2017]$z9780520967465$w(DLC) 2016055109
830 0 $aCalifornia studies in 20th-century music ;$v20.
852 00 $bmus$hML3800.S252$iT713 2017