MARC Record from marc_columbia

LEADER: 03661cam a2200457 i 4500
001 12371879
005 20170319221155.0
008 160201s2016 mauag b 001 0 eng
010 $a 2016004808
019 $a946478743
020 $a9780262034852$qhardcover ;$qalkaline paper
020 $a0262034859
035 $a(OCoLC)ocn937999182
035 $a(OCoLC)937999182$z(OCoLC)946478743
035 $a(NNC)12371879
040 $aDLC$beng$erda$cDLC$dYDX$dOCLCF$dYDXCP$dBDX$dERASA$dBTCTA$dGZM$dMNW$dCHVBK$dOCLCO$dSFR$dOCLCA$dXFF
042 $apcc
050 00 $aML3836$b.H87 2016
082 00 $a781.4/2$223
100 1 $aHuron, David Brian,$eauthor.
245 10 $aVoice leading :$bthe science behind the musical art /$cDavid Huron.
264 1 $aCambridge, Massachusetts :$bMIT Press,$c[2016]
300 $aviii, 263 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 237-253) and index.
520 $aVoice leading is the musical art of combining sounds over time. In this book, David Huron offers and an accessible account of the cognitive and perceptual foundations for this practice.
505 0 $aIntroduction -- The canon -- Sources and images -- Principles of image formation -- Auditory masking -- Connecting the dots -- Preference rules -- Types of part-writing -- Embellishing tones -- The feeling of leading -- Chordal-tone doubling -- Direct intervals revisited -- Hierarchical streams -- Scene setting -- The cultural connection -- Ear teasers -- Conclusion.
505 0 $aIntroduction -- The canon ; Rules of voice leading reviewed -- Sources and images. Hearing ; The packaging of partials ; Localization cues ; The pleasures of stereo ; The theater of the mind ; Auditory streams ; The pleasures of puzzle solving ; Reprise -- Principles of image formation. Harmonicity ; Harmonic fusion ; Toneness ; Reprise -- Auditory masking. More about masking ; Auditory irritation ; Consonance ; Reprise -- Connecting the dots. Continuity ; Pitch proximity ; Melodic motion : the yodel boundary ; Pitch co-modulation ; Reprise -- Preference rules. Preference rules from multiple principles ; Reprise -- Types of part-writing. Onset synchrony ; Why does homophony exist? ; Yet more preference rules ; Scene density ; Timbre ; Source location ; Reprise -- Embellishing tones. Turn taking ; Reprise -- The feeling of leading. Time's arrow ; Going somewhere : voice leading ; Imitative part-writing ; Pause ; Reprise -- Chordal-tone doubling ; Reprise -- Direct intervals revisited. The muddled middle ; Reprise -- Hierarchical streams. The harmonic forest ; Reprise -- Scene setting. Scene setting ; Acousmatic scenes ; Designing musical scenes ; Why the Baroque canon? ; Reprise -- The cultural connection. The sound of speech ; Language and closure ; A lesson ; Reprise -- Ear teasers. Musical scene analysis ; Plural pleasures : accommodating multiple goals ; Reprise -- Conclusion. Pleasure ; Setting scenes ; A revised voice-leading canon ; Performance considerations ; Coda.
650 0 $aHarmony.
650 0 $aMusic$xPsychological aspects.
650 0 $aMusical perception.
650 7 $aHarmony.$2fast$0(OCoLC)fst00951531
650 7 $aMusic$xPsychological aspects.$2fast$0(OCoLC)fst01030418
650 7 $aMusical perception.$2fast$0(OCoLC)fst01030788
650 7 $aStimmführung$2gnd$0(DE-588)4183343-0
650 7 $aHarmonik$2gnd$0(DE-588)4129030-6
650 7 $aKomposition$gMusik$2gnd$0(DE-588)4133320-2
650 7 $aMusikhören$2gnd$0(DE-588)4075127-2
852 00 $bmus$hML3836$i.H87 2016