MARC Record from marc_columbia

LEADER: 04588pam a2200517 i 4500
001 12421149
005 20170419145029.0
008 160824t20172017enka b 001 0 eng
010 $a 2016039045
020 $a9781350003880$qhardcover
020 $a1350003883$qhardcover
020 $z9781350003903$qelectronic book
020 $z9781350003897$qelectronic publication
024 $a40026876107
035 $a(OCoLC)ocn951835198
035 $a(OCoLC)951835198
035 $a(NNC)12421149
040 $aDLC$beng$erda$cDLC$dYDXCP$dBDX$dBTCTA$dERASA$dOCLCO$dNhCcYBP
042 $apcc
043 $ae------$aaw-----$aff-----
050 00 $aPA6411$b.P33 2017
082 00 $a871/.01$223
084 $aHIS002020$aLIT004190$aREL114000$2bisacsh
100 1 $aPaule, Maxwell Teitel,$eauthor.
245 10 $aCanidia, Rome's first witch /$cMaxwell Teitel Paule.
264 1 $aLondon ;$aNew York, NY :$bBloomsbury Academic,$c2017.
264 4 $c©2017
300 $a218 pages ;$c24 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aBloomsbury classical studies monographs
520 $a"Canidia is one of the most well-attested witches in Latin literature. She appears in no fewer than six of Horace's poems, three of which she has a prominent role in. Throughout Horace's Epodes and Satires she perpetrates acts of grave desecration, kidnapping, murder, magical torture and poisoning. She invades the gardens of Horace's literary patron Maecenas, rips apart a lamb with her teeth, starves a Roman child to death, and threatens to unnaturally prolong Horace's life to keep him in a state of perpetual torment. She can be seen as an anti-muse: Horace repeatedly sets her in opposition to his literary patron, casts her as the personification of his iambic poetry, and gives her the surprising honor of concluding not only his Epodes but also his second book of Satires. This volume is the first comprehensive treatment of Canidia. It offers translations of each of the three poems which feature Canidia as a main character as well as the relevant portions from the other three poems in which Canidia plays a minor role. These translations are accompanied by extensive analysis of Canidia's part in each piece that takes into account not only the poems' literary contexts but their magico-religious details. "--$cProvided by publisher.
504 $aIncludes bibliographical references and index.
505 8 $aMachine generated contents note: 1: Canidia, or What is a Witch? -- (a) Introduction -- (b) The Historical Canidia -- (c) The Problem with Witches -- (i) What qualifies as a saga? -- (ii) The Witches Meroe and Canidia -- (d) Conclusions 2: Satire 1.8: Canidia in the Gardens of Maecenas -- (a) Translation and Text -- (b) Introduction -- (c) A Statue in the Garden, a Witch in the Graveyard -- (i) Canidia's Invasion of the Satiric Garden -- (d) Integrating the Intruder -- (i) Elements of Vergil, Elements of Theocritus -- (ii) Elements of Homer -- (iii) Elements of Horace -- (e) Priapus Flaccus and the Inversion of the Iambographic Tradition -- (i) Satirizing Callimachus' Iambi -- (f) Conclusions 3: Hag and Snatcher: Canidia as Child-Killing Demon in Epode 5 -- (a) Translation and Text -- (b) Introduction -- (c) Canidia as Child-Killing Demon -- (i) Three Child-Killing Demons -- 1. Lilith -- 2. The Strix -- 3. Lamia -- (ii) Canidia's Demonic Traits -- (d) Canidia and the Puer -- Epode 5 as Response to Vergil's Eclogue 4 -- (i) Epode 5 as Commentary on Civil War -- 1. Thyestean Oaths -- 2. A Feast for Dogs and Birds -- (e) Conclusions 4: Routing the Empusa: The Iambic Canidia of Epode 17 -- (a) Translation and Text -- (b) Introduction -- (c) Sorry/Not Sorry: Horace's (Not So Apologetic) Apology -- (d) Canidia the Empusa -- (e) Canidia and the Epodes -- (f) Canidia the Anti-Muse -- (g) Conclusions 5: Venefica Minor: Canidia in Epode 3, Satire 2.1 and 2.8 -- (a) Canidia the Lesser -- (i) Epode 3.1-14 -- (ii) Satire 2.1.47-53 -- (iii) Satire 2.8.90-95 -- (b) Final Remarks.
600 00 $aHorace$xCriticism and interpretation.
600 00 $aCanidia$c(Fictitious character)$xIn literature.
650 0 $aWitches$zRome.
650 0 $aWitchcraft$zRome.
650 0 $aMagic, Roman.
650 0 $aWitches in literature.
650 7 $aHISTORY / Ancient / Rome.$2bisacsh
650 7 $aLITERARY CRITICISM / Ancient & Classical.$2bisacsh
650 7 $aRELIGION / Ancient.$2bisacsh
830 0 $aBloomsbury classical studies monographs.
852 00 $bglx$hPA6411$i.P33 2017