MARC Record from marc_columbia

LEADER: 04653cam a2200565 i 4500
001 12425316
005 20170522144737.0
008 160329t20162016cauab b 001 0 eng c
010 $a 2016013972
019 $a948339308
020 $a9781606065082$qhardcover
020 $a1606065084$qhardcover
024 $a40026923153
035 $a(OCoLC)ocn950519462
035 $a(OCoLC)950519462$z(OCoLC)948339308
035 $a(NNC)12425316
040 $aJPG/DLC$beng$erda$cJPG$dDLC$dOCLCO$dBDX$dOCLCF$dYDXCP$dBTCTA$dYDX$dOCLCO$dEYM$dCAAGO$dNNC
042 $apcc
043 $ae-ur---
050 00 $aPG3065.F8$bP47 2016
082 00 $a709.04/082$223
100 1 $aPerloff, Nancy,$eauthor.
245 10 $aExplodity :$bsound, image, and word in Russian futurist book art /$cNancy Perloff.
264 1 $aLos Angeles, California :$bGetty Research Institute,$c[2016]
264 4 $c©2016
300 $avii, 199 pages :$billustrations ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
500 $a"The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view.
505 0 $aFrom the provinces: anticipations of Mirskontsa -- Sounding the accidental ("death to symbolism") -- Mirskontsa: collaborative book art and transrational sounds -- Unlocking the semantics of sound in vzorval' -- The afterlife of Russian futurist book art.
520 2 $a"The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning "beyond the mind") that was distinctive in its emphasis on "sound as such" and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism, and she uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry (the Brazilian Noigandres group, Ian Hamilton Finlay, and Henri Chopin), contemporary Western conceptual art, and the artist's book."--ECIP data view.
650 0 $aFuturism (Literary movement)$zRussia.
650 0 $aFuturism (Art)$zRussia.
650 0 $aLiterature, Experimental$zRussia$y20th century$xHistory and criticism.
650 0 $aArtists' books$zRussia$xHistory$y20th century.
650 0 $aAvant-garde (Aesthetics)$xHistory$y20th century.
650 7 $aArtists' books.$2fast$0(OCoLC)fst00817660
650 7 $aAvant-garde (Aesthetics)$2fast$0(OCoLC)fst00824280
650 7 $aFuturism (Art)$2fast$0(OCoLC)fst00936780
650 7 $aFuturism (Literary movement)$2fast$0(OCoLC)fst00936786
650 7 $aLiterature, Experimental.$2fast$0(OCoLC)fst01000149
651 7 $aRussia.$2fast$0(OCoLC)fst01207312
650 4 $aFuturism (Literary movement)$zRussia.
648 7 $a1900-1999$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
710 2 $aGetty Research Institute,$eissuing body.
852 00 $bgax$hPG3065.F8$iP47 2016