| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:181418767:1997 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:181418767:1997?format=raw |
LEADER: 01997cam a2200397Ii 4500
001 12427404
005 20170522144856.0
008 170310t20172017gw a b 100 0 eng d
020 $a9783447107846$q(pbk.)
020 $a3447107847
024 3 $a9783447107846
035 $a(OCoLC)ocn973877621
035 $a(OCoLC)973877621
035 $a(NNC)12427404
040 $aOHX$beng$erda$cOHX$dBTCTA$dRBN$dUIU$dINU$dOCLCA
050 4 $aML1703$b.G742 2017
245 00 $aGreat women on stage :$bthe reception of women monarchs from antiquity in Baroque opera /$cedited by Kerstin Dross-Krüpe.
260 $aWiesbaden :$bHarrassowitz Verlag,$c2017.
264 4 $c©2017
300 $a72 pages :$bcolor illustrations ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aISSN 1860-1812 was erroneously printed in the book.
504 $aIncludes bibliographical references.
505 00 $tGreat women on stage: the reception of women monarchs from antiquity in Baroque opera /$rKerstin Dross-Krüpe --$tThe polyvalence of antiquity: remarks on the reception of classical antiquity in early modern Europe /$rKerstin Weiand --$tThe construction of femininity in Händel's Agrippina: from history to dramatic opera /$rAgnès Garcia Ventura & Marta Ortega Balanza --$tCleopatra in Baroque opera: the stage design between depiction of power and adoption of antiquity /$rValeska Hartmann.
650 0 $aWomen in opera$vCongresses.
600 10 $aHandel, George Frideric,$d1685-1759.$tAgrippina$vCongresses.
600 00 $aAgrippina,$cMinor,$d15-59$xIn opera$vCongresses.
600 00 $aCleopatra,$cQueen of Egypt,$d-30 B.C.$xIn opera$vCongresses.
700 1 $aDross-Krüpe, Kerstin,$eauthor,$eeditor.
700 1 $aGarcia-Ventura, Agnès,$eauthor.
700 1 $aHartmann, Valeska,$eauthor.
700 1 $aOrtega Balanza, Marta,$eauthor.
700 1 $aWeiand, Kerstin,$eauthor.
852 00 $bmus$hML1703$i.G742 2017g