| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:181721560:1594 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:181721560:1594?format=raw |
LEADER: 01594cam a2200397 i 4500
001 12428488
005 20170522144906.0
008 160511s2017 maua b 001 0 eng
010 $a 2016021254
020 $a9780262035521$qhardcover ;$qalkaline paper
020 $a0262035529$qhardcover ;$qalkaline paper
035 $a(OCoLC)949828471
035 $a(POOF)52225
035 $a(NNC)12428488
040 $aDLC$beng$erda$cDLC$dOCLCO$dOCLCF$dOCLCQ$dBDX$dYDX$dBTCTA$dMYG$dYDX$dOCLCO
042 $apcc
050 00 $aN4395$b.V66 2017
082 00 $a708$223
100 1 $aVoorhies, James Timothy,$eauthor.
245 10 $aBeyond objecthood :$bthe exhibition as a critical form since 1968 /$cJames Voorhies.
264 1 $aCambridge, Massachusetts ;$aLondon, England :$bThe MIT Press,$c[2017]
300 $aix, 275 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aThe rise of the exhibition as a form -- On new institutionalism -- The efficacy of a critical art -- The industrial art complex.
650 0 $aArt$xExhibitions$xHistory$y20th century.
650 0 $aArt$xExhibitions$xHistory$y21st century.
650 0 $aArt exhibition audiences.
650 7 $aArt exhibition audiences.$2fast$0(OCoLC)fst00815529
650 7 $aArt$xExhibitions.$2fast$0(OCoLC)fst00815239
648 7 $a1900-2099$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bfaxlc$hN4395$i.V66 2017
852 00 $bbar$hN4395$i.V66 2017