| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:185012782:1063 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:185012782:1063?format=raw |
LEADER: 01063cam a2200325 i 4500
001 12438938
005 20170522145039.0
008 161117t20172016enka 000 0deng d
020 $a1908326921$qhardback
020 $a9781908326928$qhardback
024 $a60002165574
035 $a(OCoLC)ocn962391167
035 $a(OCoLC)962391167
035 $a(NNC)12438938
040 $aYDX$beng$erda$cYDX$dOCLCQ$dNhCcYBP
043 $ae-uk-st
050 4 $aND497.B66$bP84 2017
082 04 $a759.2/911$223
100 1 $aPugh, Martine Foltier,$eauthor.
245 10 $aMarj Bond /$cMartine Foltier Pugh.
264 1 $aBristol :$bSansom and Company, a publishing imprint of Redcliffe Press Ltd.,$c2017.
264 4 $c©2016
300 $a160 pages :$billustrations (mostly color) ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
600 10 $aBond, Marj$xCriticism and interpretation.
650 0 $aPainters$zScotland.
852 00 $bfaxlc$hND497.B66$iP84 2017g