MARC Record from marc_columbia

LEADER: 01686cam a2200277Ia 4500
001 12440885
005 20170419145826.0
008 170220s2016 be b 001 0 dut d
020 $a9789082571202
020 $a908257120X
035 $a(OCoLC)ocn973401067
035 $a(OCoLC)973401067
035 $a(NNC)12440885
040 $aERASA$beng$cERASA$dJPG
050 4 $aBH39$b.C76x 2016
082 04 $a111.85
100 1 $aCrombez, Thomas.
245 13 $aDe moord op de kunst :$been historische inleiding tot de kunstfilosofie /$cThomas Crombez.
260 $aBorgerhout :$bLetterwerk,$cc2016.
300 $a243 p. ;$c24 cm.
504 $aIncludes bibliographical references and index.
520 8 $aThe history of aesthetics in the West begins with a formidable condemnation of art. According to the Greek philosopher Plato, artists and poets should be banished from his ideal society. In contrast, from the eighteenth century onwards, art was also glorified by numerous thinkers. According to the Romantics, art was the bearer of a truth that escaped the concepts of philosophy. The murder of art, or the glorification of art. In both cases, art functioned as a challenge to philosophy. Aesthetics turned art into an object of thought. The ?murder? of art is an apt metaphor for that phenomenon. This book traces the history of Western philosophy of art. At the same time, it provides a cross section of philosophy in the West. Each philosopher is introduced with a biographical sketch, which is followed by a discussion of his theory of art.
650 0 $aArt and philosophy.
650 0 $aArt$xPhilosophy.
650 0 $aPhilosophy, European$xHistory.
852 00 $boff,fax$hBH39$i.C758 2016g