MARC Record from marc_columbia

LEADER: 03877cam a2200421M 4500
001 12446859
005 20170522145441.0
008 170302s cl 000 0 eng d
020 $a9563626451
020 $a9789563626452
035 $a(OCoLC)ocn974649413
035 $a(OCoLC)974649413
035 $a(NNC)12446859
040 $aH7K$beng$erda$cH7K$dOCLCO
041 0 $aspa$aeng
050 4 $aND1962.E25$bA4 2016
100 1 $aEchaurren, Pablo,$d1951-$eartist.
240 10 $aWorks.$kSelections
245 10 $aPablo Echaurren :$bmake art not money : Santiago de Chile : 16 junio - 21 agosto 2016 /$ceditado por Inés Ortega-Márquez ; [textos : Inés Ortega-Márquez...[and others]].
246 3 $aMake art not money
264 $aSantiago de Chile :$bMuseo Nacional de Bellas Artes,$c[2016]
300 $a200 pages :$billustrations (some color) ;$c26 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished on the occasion of the exhibition held June 16 - Aug. 21, 2016 at the Museo Nacional de Bellas Artes in Santiago, Chile.
504 $aIncludes bibliographical references.
505 8 $aCartas -- Textos -- Pablo Echaurren: Make art not money / Ines Ortega-Marquez -- Pablo Echaurren La imaginación, con la imagen, al poder / Arturo Schwarz -- La contrapintura de PAblo Echaurren / Angelandrine Rorro -- Obras -- Catalogo de obras -- Biografia / Claudia Salaris -- Exhibiciones individuales -- Obras en Museos y Colecciones Publicas -- Libros -- Textos en Ingles -- English Text.
520 8 $aMany works by Pablo Echaurren (b. Rome, 1951), recently exhibited in Rome in the solo show entitled Contropittura, held at the Galleria Nazionale de Arte Moderna e Contemporanea, with the addition of other works are coming in the country from which his family originated. The Museo Nacional de Bellas Artes in Santiago de Chile is exhibiting for the first time a retrospective of the artist. The show, which presents more than 110 of the artistœs workscanvases, drawings, collages, ceramics dating from between the seventies and the present day, along with an ample section of documents, includes his earliest works, pictures in watercolor and enamel paint of small size that reflect the myths of his generation (politics, music) and his personal inclinations (for the natural sciences and collecting). The show also presents the drawings linked to the experience of the so-called Metropolitan Indians,ʺ a movement that, in 1977 in Rome, seized on the aesthetic languages of the artistic avant- garde and used them to denounce the illusionistic world of the media. Evident here is his desire to turn the exclusive research of Marcel Duchamp into a tool that could be used by everyone, in keeping with a plan of collectivization of the historical avant-garde. This is followed by canvases painted in the eighties and nineties, in which contemporary history bursts onto the scene (the protest in Tiananmen Square and the fall of the Berlin Wall), or emerges the influence of the pre-Columbian imagination. The exhibition also illustrates his more recent wall paintings,ʺ in which Echaurren has created a new symbolic alphabet: a series of pictures on the art system that reveal the critical dimension of the artistœs work.
546 $aText in Spanish with English translation at end.
600 10 $aEchaurren, Pablo,$d1951-$xCriticism and interpretation.
600 10 $aEchaurren, Pablo,$d1951-$vExhibitions.
650 0 $aMultiple art$vExhibitions.
650 0 $aArt, Modern$vExhibitions.
650 0 $aArt, Italian$y21st century$vExhibitions.
700 1 $aOrtega-Márquez, Inés,$eeditor,$ewriter of supplementary textual content.
710 2 $aMuseo Nacional de Bellas Artes (Chile),$ehost institution,$eissuing body.
852 00 $boff,fax$hND1962.E25$iA4 2016g