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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-025.mrc:195404887:3276
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:195404887:3276?format=raw

LEADER: 03276cam a2200517Ia 4500
001 12464048
005 20170522145631.0
008 161003s2016 ne ab bc 000 0 eng d
020 $a9082564904
020 $a9789082564907
035 $a(OCoLC)ocn959650697
035 $a(OCoLC)959650697
035 $a(NNC)12464048
040 $aYDX$beng$cYDX$dOCLCQ$dERASA$dNKM$dJPG
043 $au-at---
050 4 $aN6350$b.F76 2016
082 04 $a700.411
245 00 $aFrontier /$cartists, Megan Cope, Alice Creischer, DAAR (Decolonizing Architecture Art Residency), Juan Davila, Demian DinéYazhi', Bonita Ely, Ho Rui An, Gordon Hookey, Tshibumba Kanda Matulu, Karrabing Film Collective, Helmut Newton, Tom Nicholson, Wendelien van Oldenborgh, Rachel O'Reilly (icw/ Valle Medina, Benjamin Reynolds, and Rodrigo Hernandez), Ryan Presley, Virtual Songlines, Sawangwongse Yawnghwe ; with contributions from: North Stradbroke Island Historical Museum, John Oxley Library, Shell Co. and the National Film and Sound Archive ; authors, Michael Aird, Gordon Hookey, Khadim Dai, Tallara Gray, Rachel O'Reilly, Claire Humphreys, Kevin O'Brien, Elizabeth A. Povinelli, Vivian Ziherl.
264 1 $aAmsterdam :$bFrontier Imaginaries,$c[2016]
300 $a207 pages :$billustrations (some color), maps ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aFrontier Imaginaries edition ;$vno. 1
500 $aCatalog of an exhibition held at QUT Art Museum, Brisbane, May 14-August 14, 2016; and Institute of Modern Art, Brisbane, May 14-July 9, 2016.
504 $aIncludes bibliographical references.
520 8 $aThe frontier marks the point at which the soaring ideals of modernity touch ground, indicating how the "outside" was produced, exploited, and policed through colonialism. Frontier Imaginaries is a research and art commissioning project dedicated to studying the ongoing significance of the frontier in the global era. Launching from the standpoint of the settler-colony, the project touches various cities around the globe. In each edition contributors participate in remapping the global dramas of property and progress, seeking to challenge their precepts in the process. This first volume compiles materials from two exhibitions in Brisbane with new essays and interviews.
650 0 $aArt, Modern$vExhibitions.
650 0 $aArchitecture, Modern$vExhibitions.
650 0 $aIndians of North America$xExhibitions.
651 0 $aAustralia$vExhibitions.
700 1 $aCope, Megan,$eartist.
700 1 $aAird, Michael,$d1963-$eauthor.
700 1 $aHookey, Gordon,$eauthor.
700 1 $aDai, Khadim,$eauthor.
700 1 $aGray, Tallara,$eauthor.
700 1 $aO'Reilly, Rachel,$eauthor.
700 1 $aHumphreys, Claire,$eauthor.
700 1 $aO'Brien, Kevin,$d1972-$eauthor.
700 1 $aPovinelli, Elizabeth A.,$eauthor.
700 1 $aZiherl, Vivian,$eauthor.
710 2 $aNorth Stradbroke Island Historical Museum Association,$econtributor.
710 2 $aQUT Art Museum,$ehost institution.
710 2 $aInstitute of Modern Art (Brisbane, Qld.),$ehost institution.
830 0 $aFrontier Imaginaries edition ;$vno. 1.
852 00 $boff,fax$hN6350$i.F76 2016g