MARC Record from marc_columbia

LEADER: 04011cam a22006857i 4500
001 12473559
005 20170619163852.0
008 170419t20172017enkaco g bc 001 0 eng d
010 $a 2016364160
019 $a973793214
020 $a9781910350430$qhardback
020 $a1910350435$qhardback
020 $a9781910350447$qpaperback
020 $a1910350443$qpaperback
035 $a(OCoLC)ocn975371537
035 $a(OCoLC)975371537$z(OCoLC)973793214
035 $a(NNC)12473559
040 $aLUNQA$beng$erda$cLUNQA$dDLC$dLND$dYDX$dOCLCF$dEUM$dOCLCO$dBRL
041 1 $aeng$hrus
042 $alccopycat
050 00 $aN6988.5.A83$bR48 2017
082 04 $a709.47$223
245 00 $aRevolution :$bRussian art 1917-1932 /$cartistic director, Tim Marlow ; exhibition curators, John Milner, Natalia Murray, Ann Dumas, assisted by Rebecca Bray ; exhibition catalogue, Beatrice Gullström, Alison Hissey, Carola Krueger, Peter Sawbridge, Nick Tite ; translation from the Russian, Ruth Addison, Antonina Bouis.
264 1 $aLondon, England :$bRoyal Academy of Arts,$c[2017]
264 4 $c©2017
300 $a326 pages :$billustrations (chiefly color), portraits, photographs ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to accompany an exhibition held at the Royal Academy of Arts, London, 11 February-17 April 2017.
504 $aIncludes bibliographical references and index.
518 $o"Revolution: Russian Art, 1917-1932" :$dFebruary 11-April 17, 2017,$pRoyal Academy of Arts, London, England, United Kingdom.
520 8 $aRevolution: Russian Art, 1917-1932' encapsulates a momentous period in Russian history that is vividly expressed in the diversity of art produced between 1917, the year of the October Revolution, and 1932 when Stalin began to suppress the avant-garde and its debates. Based around the great exhibition of 1932 held at the State Russian Museum in Leningrad, the book explores the fascinating themes and artistic developments of the first fifteen years of the Soviet state, including painting, sculpture, ceramics, posters, graphics and film. The exhibition itself was to be the swansong of avant-garde art in Russia: new policies quickly ensured that Socialist Realism - collective in production, public in manifestation and Communist in ideology - was to become the only acceptable art form. This volume is a timely and authoritative exploration of how modern art in all its forms flourished, was recognised, celebrated, and broken by implacable authority all within fifteen years.
650 0 $aAvant-garde (Aesthetics)$zSoviet Union$y1917-1936$vExhibitions.
650 0 $aArt, Soviet$y1917-1936$vExhibitions.
650 0 $aSocialist realism in art.
651 0 $aSoviet Union$xCivilization$vExhibitions.
650 7 $aArt, Soviet.$2fast$0(OCoLC)fst00816902
650 7 $aAvant-garde (Aesthetics)$2fast$0(OCoLC)fst00824280
650 7 $aSocialist realism in art.$2fast$0(OCoLC)fst01123748
651 7 $aSoviet Union.$2fast$0(OCoLC)fst01210281
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
655 7 $aIllustrated works.$2lcgft
700 1 $aMarlow, Tim,$d1963-$econtributor.
700 1 $aMilner, John,$d1946-$eorganizer.
700 1 $aMurray, Natalia,$eorganizer.
700 1 $aDumas, Ann,$eorganizer.
700 1 $aBray, Rebecca,$eorganizer.
700 1 $aGullström, Beatrice,$eeditor.
700 1 $aHissey, Alison,$eeditor.
700 1 $aKrueger, Carola,$eeditor.
700 1 $aSawbridge, Peter,$eeditor.
700 1 $aTite, Nick,$eeditor.
700 1 $aAddison, Ruth,$etranslator.
700 1 $aBouis, Antonina W.,$etranslator.
710 2 $aRoyal Academy of Arts (Great Britain),$ehost institution,$epublisher,$eissuing body.
752 $aUnited Kingdom$bEngland$dLondon.
852 00 $bfaxlc$hN6988.5.A83$iR48 2017