MARC Record from marc_columbia

LEADER: 03848cam a2200493 i 4500
001 12054803
005 20160823130118.0
008 160128t20162016msua b 001 0 eng
010 $a 2016002840
020 $a9781496805652$q(hardback)
020 $a1496805658$q(hardback)
024 $a40026197466
035 $a(OCoLC)930257092
035 $a(OCoLC)ocn930257092
035 $a(NNC)12054803
040 $aDLC$beng$erda$cSTF$dDLC$dBTCTA$dYDXCP$dBDX$dOCLCF$dCOO
042 $apcc
043 $an-us---
050 00 $aPN1995.9.S26$bH28 2016
082 00 $a791.43/615$223
084 $aPER004030$aSOC022000$aHIS036060$2bisacsh
100 1 $aHantke, Steffen,$d1962-$eauthor.
245 10 $aMonsters in the machine :$bscience fiction film and the militarization of America after World War II /$cSteffen Hantke.
264 1 $aJackson :$bUniversity Press of Mississippi,$c[2016]
264 4 $c©2016
300 $a234 pages :$billustrations ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 203-227) and index.
520 $a"During the 1950s and early 1960s, the American film industry produced a distinct cycle of films situated on the boundary between horror and science fiction. Using the familiar imagery of science fiction--from alien invasions to biological mutation and space travel--the vast majority of these films subscribed to the affects and aesthetic of the horror film, anticipating the dominant dystopian turn of many science fiction films to come. Departing from American technological awe and optimism throughout the 1950s, these films were interested in paranoia, unease, fear, shock, and disgust. Not only do they address technophobia and its psychological, social, and cultural corollaries; they also return persistently to the military as a source of character, setting, and conflict. Commensurate with a state of perpetual mobilization, the U.S. military is omnipresent in these films. Regardless of their genre, these films have always been understood as allegories of the Cold War, registering anxieties about two major issues of the time: atomic technologies, especially the testing and use of nuclear weapons, and communist aggression and/or subversion. Setting out to question, expand, and correct this critical argument, this book follows shifts and adjustments prompted by recent scholarly work into the technological, political, and social history of America in the 1950s. Based on this revised historical understanding, science fiction films appear in a new light as they reflect on the troubled memories of World War II, the emergence of the military-industrial complex, the postwar rewriting of the American landscape, and the relative insignificance of catastrophic nuclear war in comparison to America's involvement in postcolonial conflicts around the globe"--$cProvided by publisher.
650 0 $aScience fiction films$zUnited States$xHistory and criticism.
650 0 $aMotion pictures$zUnited States$xHistory$y20th century.
650 0 $aArmed Forces in motion pictures.
650 7 $aPERFORMING ARTS$xFilm & Video$xHistory & Criticism.$2bisacsh
648 7 $a1900-1999$2fast
650 7 $aArmed Forces in motion pictures.$2fast$0(OCoLC)fst00814642
650 7 $aMotion pictures.$2fast$0(OCoLC)fst01027285
650 7 $aScience fiction films.$2fast$0(OCoLC)fst01108616
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
776 08 $iOnline version:$aHantke, Steffen, 1962- author.$tMonsters in the machine.$dJackson : University Press of Mississippi, 2016$z9781496805669$w(DLC) 2016005524
852 00 $bglx$hPN1995.9.S26$iH28 2016