MARC Record from marc_columbia

LEADER: 02119cam a2200385 i 4500
001 12492091
005 20170717134401.0
008 170504s2016 enka 000 0 eng d
020 $a9780992655655
020 $a099265565X
035 $a(OCoLC)ocn973401297
035 $a(OCoLC)973401297
035 $a(NNC)12492091
040 $aERASA$beng$cERASA$dAZU$dOCLCO$dOCLCF$dNNC
050 4 $aN6490$b.G7 2016
082 04 $a700.411
100 1 $aAbeles, Michelle,$eartist,$einterviewee.
245 10 $aMichele Abeles :$bzebra /$cEdited by Domenick Ammirati Isabelle Graw.
246 30 $aZebra :$bMichele Abeles
264 1 $aLondon :$bSadie Coles HQ,$c2016.
300 $a101 pages :$billustrations ;$c26 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aSpecial cover: With Braille translation of title, repeating on pages 1 and 4 of cover.
500 $aIncludes: Reconsidering skills in digital composites, a conversation between Isabelle Graw and Michele Abeles.
520 8 $aThis is the first monograph on the work of Michele Abeles (b. 1977), an artist based in New York who works primarily with photographic imagery. Through numerous colour images and exhibition views, the book traces Abele's prolific and diverse output over the last seven years. An extensive interview with the art critic Isabelle Graw offers new and extended insights into the artist's thinking and methodology. Abeles's works pursue a range of conceptual and compositional questions -- from the idea of spatial depth in photography and painting, to the status of the female body as a "readymade" armature, to the relationship between different methods of compressing and conveying information (visual and non-visual, digital and analogue).
600 10 $aAbeles, Michelle.
650 0 $aArt, Modern$y21st century.
650 7 $aArt.$2fast$0(OCoLC)fst00815177
653 0 $aVisual arts.
700 1 $aAmmirati, Domenick,$eeditor.
700 1 $aGraw, Isabelle,$einterviewer.
852 00 $bfaxlc$hN6537.A283$iA4 2016g