| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:213412582:3154 |
| Source | marc_columbia |
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LEADER: 03154cam a2200469 a 4500
001 12492176
005 20171120153027.0
008 170428s2016 gw a b 000 0dger d
010 $a 2017376111
019 $a972008680$a972158874
020 $a9783422073944$q(pbk.)
020 $a3422073949
024 3 $a9783422073944
035 $a(OCoLC)ocn982488859
035 $a(OCoLC)982488859$z(OCoLC)972008680$z(OCoLC)972158874
035 $a(NNC)12492176
040 $aOHX$beng$cDLC$dOHX$dJPG$dNDD$dOCLCF$dPAU$dOCLCQ$dNNC
041 1 $ager$aeng$hger
042 $alccopycat
043 $ae-it---
050 00 $aND623.C3$bA7585 2016
072 7 $aND$2lcco
082 04 $a709.945
100 1 $aStoichiță, Victor Ieronim.
245 10 $aÜber einige telepathische Dispositive :$bVittore Carpaccios Gemäldezyklus in der Scuola degli Schiavoni in Venedig = On several telepathic dispositifs : Vittore Carpaccio's cycle of paintings in the Scuola degli Schiavoni in Venice /$cVictor I. Stoichita ; Herausgeber, Ulrich Pfisterer ; Übersetzung, Léa Kuhn, Joan Clough.
246 31 $aOn several telepathic dispositifs :$bVittore Carpaccio's cycle of paintings in the Scuola degli Schiavoni in Venice
246 18 $aTelepathische Dispositive =$bTelepathic dispositifs
246 31 $aTelepathic dispositifs
260 $a[München] :$bZentralinstitut für Kunstgeschichte ;$aBerlin :$bDeutscher Kunstverlag,$c©2016.
300 $a80 pages :$billustrations (chiefly color) ;$c21 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aPanofsky-Professur 2016 am Zentralinstitut für Kunstgeschichte München
504 $aIncludes bibliographical references.
546 $aParallel texts in German and English.
520 8 $aVictor Stoichita offers a sensational reinterpretation of one of the most famous and at the same time one of the most enigmatic paintings of the Italian Renaissance: Vittore Carpaccio's 'The Vision of St. Augustine'. Carpaccio (c. 1465-1525) created the painting in the Scuola degli Schiavoni in Venice at the beginning of the 16th century, as part of an interior design cycle honoring St. Jerome. Stoichita clarifies how Carpaccio was able to represent a telepathic miracle in the medium of painting, not only by bringing clarity to the complex iconography of the work, but also through a reanalysis of the textual sources and the thick fabric of interconnected ties between the written and painted story. His interpretation of the image also significantly changes the view of its program and the meaning of the painting cycle as a whole. The book was produced in the context of the Panofsky professorship at the Zentralinstitut für Kunstgeschichte in Munich, which Victor Stoichita held in 2016.
600 10 $aCarpaccio, Vittore,$d1455?-1525?$tSt. Augustine in his study.
630 07 $aSt. Augustine in his study (Carpaccio, Vittore)$2fast$0(OCoLC)fst01398083
700 1 $aPfisterer, Ulrich,$d1968-
830 0 $aPanofsky-Professur 2016 am Zentralinstitut für Kunstgeschichte München.
852 00 $bfaxlc$hND623.C3$iA7585 2016