Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:21919127:1351 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:21919127:1351?format=raw |
LEADER: 01351cam a2200337Ii 4500
001 12055480
005 20160823130208.0
008 150930s2002 gau bk 000 0 eng d
020 $a0820349127$qpaperback
020 $a9780820349121$qpaperback
024 $a99968187292
035 $a(OCoLC)ocn922631069
035 $a(OCoLC)922631069
035 $a(NNC)12055480
040 $aYDXCP$beng$erda$cYDXCP$dBTCTA$dBDX$dOCLCQ$dCLE$dNhCcYBP
050 4 $aML3877$b.R68 2002
082 04 $a781.3/6$223
100 1 $aRothenberg, David,$d1962-$eauthor.
245 10 $aSudden music :$bimprovisation, sound, nature /$cDavid Rothenberg.
264 1 $aAthens :$bUniversity of Georgia Press,$c[2002]
300 $a214 pages ;$c21 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aDiscography: pages 209-212.
504 $aIncludes bibliographical references (pages 205-208).
505 0 $aChance designs -- One note history -- Roads, music, rapture -- The shadow is what you hear -- A sense of soundscape -- Four-fifths of the world cannot be wrong -- the thought and the story -- The instrument includes it -- Sound changes.
650 0 $aMusic$xPhilosophy and aesthetics.
650 0 $aImprovisation (Music)
650 0 $aNature (Aesthetics)
852 00 $boff,mus$hML3877$i.R68 2002g