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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-025.mrc:23441197:3135
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:23441197:3135?format=raw

LEADER: 03135cam a2200469Ii 4500
001 12056999
005 20161123115551.0
008 160715s2016 gw ac bc 000 0deng d
019 $a956623879$a956957510$a957184562$a957302873$a957521787$a957614886
020 $a9783958291027
020 $a3958291023
029 1 $aAU@$b000058559028
035 $a(OCoLC)ocn950965556
035 $a(OCoLC)950965556$z(OCoLC)956623879$z(OCoLC)956957510$z(OCoLC)957184562$z(OCoLC)957302873$z(OCoLC)957521787$z(OCoLC)957614886
035 $a(NNC)12056999
040 $aERASA$beng$erda$cERASA$dYDXCP$dBTCTA$dOHX$dOCLCO$dOAC$dBDX$dOCLCF$dGZN$dJPG$dCIA$dOCLCQ
050 4 $aN6537.L398$bA4 2016
072 7 $aND$2lcco
082 04 $a700.411
100 1 $aLeaf, June,$d1929-$eartist.
240 10 $aWorks.$kSelections
245 10 $aJune Leaf :$bthought is infinite /$cwith an essay by Carter E. Foster and a text by Clara Rojas-Sebesta ; photographs by Alice Attie.
246 30 $aThought is infinite
250 $aFirst edition.
264 1 $aGöttingen, Germany :$bSteidl Verlag,$c2016.
300 $a277 pages :$billustrations (chiefly color), portraits ;$c26 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Published on occasion of the exhibition 'June Leaf: Thought is Infinite', Whitney Museum of American Art, April 27-July 17, 2016"--Colophon.
504 $aIncludes bibliographical references.
505 0 $aThought is infinite / Carter E. Foster -- Studio photographs / Alice Attie -- Work / June Leaf ; reproductions by Alice Attie -- Drawing as sculpture / Clara Rojas-Sebasta.
520 8 $aJune Leaf's body of work - one built over nearly seven decades - belongs within a long tradition of visionary figures, from William Blake and Francisco Goya to James Ensor and Odilon Redon. Like these innovative predecessors, and fusing elements of both Expressionism and Surrealism, Leaf creates representational imagery with an intense subjectivity and personal symbolist vision. Leaf's fundamental interest in metamorphosis and states of becoming as subjects is paralleled in her working process. As imaginary as the artist's world is, her practice is deeply corporeal, materially rich, and firmly rooted the in physicality of the objects and mediums she uses. Leaf tends to work daily, driven by instinct and intuition. She sometimes invents new themes and motifs, but these often arise organically out of older ones, and the array of subjects she?s developed over the years remain close and ready for revisiting or adapting.
600 10 $aLeaf, June,$d1929-$vExhibitions.
600 17 $aLeaf, June,$d1929-$2fast$0(OCoLC)fst00273653
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aFoster, Carter E.,$ewriter of supplementary textual content.
700 1 $aRojas-Sebesta, Clara,$ewriter of supplementary textual content.
700 1 $aAttie, Alice,$d1950-$ephotographer.
710 2 $aWhitney Museum of American Art,$ehost institution.
852 00 $bfaxlc$hN6537.L398$iA4 2016g