MARC Record from marc_columbia

LEADER: 03489cam a2200433Ii 4500
001 12065744
005 20160919155637.0
008 160714t20162016enka 001 0 eng d
019 $a950964829
020 $a9781780677477
020 $a1780677472
024 $a99968280826
035 $a(OCoLC)ocn917345599
035 $a(OCoLC)917345599$z(OCoLC)950964829
035 $a(NNC)12065744
040 $aBTCTA$beng$erda$cBTCTA$dBDX$dYDXCP$dERASA$dOCLCQ$dOCLCO$dCDX$dGZM$dOCLCF$dUAB$dCAD
050 4 $aN408$b.N49 2016
082 04 $a708.00922$223
245 04 $aThe new curator (researcher), (commissioner), (keeper), (interpreter), (producer), (collaborator) /$cwriting and editing (Coline Milliard), (Rafal Niemojewski), (Ben Borthwick), (Jonathan Watkins) ; (Natasha Hoare), interviews, chapter-opening texts and curator introductions.
246 3 $aNew curator, researcher, commissioner, keeper, interpreter, producer, collaborator
264 1 $aLondon :$bLaurence King Publishing,$c2016.
264 4 $c©2016
300 $a240 pages :$billustrations (chiefly color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aItems in parentheses appear on book as square brackets.
500 $aIncludes index.
505 0 $aIntroduction / Coline Milliard -- The aspirational narrative of the new curator / Rafal Niemojewski -- A. Beyond the white cube. Artangel; Fram Kitagawa; Adam Sutherland; Juliana Engberg; Katrina Brown; Clark House Initiative -- B. Rethinking the biennale model. Sofia Hernández Chong Cuy; Chus Martinez; Leah Gordon; Raimundas Malašauskas; Adam Broomberg and Oliver Chanarin; Solange Farkas; Pablo León de la Barra -- C. Towards a radical institution. Anthony Huberman; Khaled Hourani and Charles Esche; Maria Lind; Mami Kataoka; Koyo Kouoh -- D. Transcending boundaries. Claire Tancons; Pierre Bal-Blanc and Vanessa Desclaux; Ragnar Kjartansson and Andjeas Ejiksson; Clementine Deliss; Joanna Warsza; Chang Tsong-Zung; Lisa Panting; Michael Connor.
520 $aThis book presents a snapshot of the most interesting curatorial practices in the art world today. There is an emphasis on the "now": the introduction sketches in the development of curatorial practices since the 1980s but the shows under scrutiny in the following twenty-five case studies have all taken place in the last few years. The selected exhibitions - chosen by an expert panel of curators - run the global gamut, from Europe and the U.S. through Africa and the Middle East to China, and illustrate the particular challenges for curators working in both the commercial and public sectors. Large-scale shows and pop-up exhibits, permanent-collection rehangs and art fairs all have a place here. Each highly illustrated case study is structured around an interview with the curator responsible for the show. The text both tells the story of the show's making and fills in background information about the curator's work, resulting in an accessible guide to contemporary curating.
650 0 $aArt museum curators$vInterviews.
650 7 $aArt museum curators.$2fast$0(OCoLC)fst00815624
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aMilliard, Coline,$eeditor.
700 1 $aNiemojewski, Rafal,$eeditor.
700 1 $aBorthwick, Ben,$eeditor.
700 1 $aWatkins, Jonathan,$d1957-$eeditor.
700 1 $aHoare, Natasha,$econtributor.
852 00 $bfaxlc$hN408$i.N49 2016g