MARC Record from marc_columbia

LEADER: 04331cam a2200433 i 4500
001 12067395
005 20160919160054.0
008 160407t20162016mdu b 011 0 eng
010 $a 2016008623
020 $a9781611478211$q(cloth :$qalk. paper)
020 $a1611478219$q(cloth :$qalk. paper)
024 $a40026230941
035 $a(OCoLC)ocn944086807
035 $a(OCoLC)944086807
035 $a(NNC)12067395
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDXCP$dBDX$dTXA
042 $apcc
050 00 $aPR2976$b.T349 2016
082 00 $a822.3/3$223
245 04 $aThe text, the play, and the Globe :$bessays on literary influence in Shakespeare's world and his work in honor of Charles R. Forker /$cedited by Joseph Candido.
264 1 $aLanham, Maryland :$bFairleigh Dickinson University Press,$c[2016]
264 4 $c©2016
300 $aix, 357 pages ;$c24 cm.
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
490 1 $aFairleigh Dickinson University Press series on Shakespeare and the stage
520 $a"The purpose of this book is to honor the scholarly legacy of Charles R. Forker with a series of essays that address the problem of literary influence in original ways and from a variety of perspectives. The emphasis throughout is on the sort of careful, exhaustive, evidence-based scholarship to which Forker dedicated his entire professional life. Although wide-ranging and various by design, the essays in this book never lose sight of three discrete yet overlapping areas of literary inquiry that create a unity of perspective amid the diversity of approaches: 1) the formation of play texts, textual analysis, and editorial practice; 2) performance history and the material playing conditions from Shakespeare's time to the present, including film as well as stage representations; and 3) the world, both cultural and literary, in which Shakespeare and his contemporaries worked and to which they bequeathed an artistic legacy that continues to be re-interpreted and re-defined by a whole new set of cultural and literary pressures. Eschewing any single, predetermined ideological perspective, the essays in this book call our attention to how the simplest questions or observations can open up provocative and unexpected scholarly vistas. In so doing, they invite us into a subtly re-configured world of literary influence that draws us into new, often unexpected, ways of seeing and understanding the familiar." -- Provided by publisher
504 $aIncludes bibliographical references and index.
505 0 $aIntroduction / Joseph Candido -- The ends of time in Marlowe's Doctor Faustus / Rebecca Bushnell -- Marlowe in Edward II: lender or borrower? / Brian Vickers -- Edward II in performance from the 1980s to the present / David Bevington -- The transitory playhouse: the Theatre, Rose, and Fortune / S.P. Cerasano -- Shakespeare and his fellows: honored at Somerset House? / Leeds Barroll -- Richard II on screens / Peter Holland -- The (mis)fortunes of Falstaff in performance / James C. Bulman -- How the noble spanish soldier describes a battle / Lois Potter -- The staging of the problematic attempted rape scene of the Two Gentlemen of Verona as the culmination of the play's anti-romantic thematic concerns / R. W. Desai -- Across the narrow sea: the 1620 Leipzig volume of English plays / June Schlueter -- Shakespearean comedy and the boundaries of Europe / Michael Dobson -- George Wither's response to Othello -- David M. Bergeron -- Jonson's epigrams and the learned critics / Peter E. Medine -- Appendix: Charles R. Forker: a bibliography of published works (1958-2014).
600 10 $aShakespeare, William,$d1564-1616$xCriticism and interpretation.
600 10 $aShakespeare, William,$d1564-1616$xInfluence.
600 10 $aShakespeare, William,$d1564-1616$xStage history.
650 0 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism.
700 1 $aForker, Charles R.,$ehonouree.
700 1 $aCandido, Joseph,$d1945-$eeditor.
776 08 $iOnline version:$tText, the play, and the Globe$dLanham, Maryland : Fairleigh Dickinson University Press, 2016$z9781611478228$w(DLC) 2016018192
830 0 $aShakespeare and the stage (Fairleigh Dickinson University Press)
852 00 $bglx$hPR2976$i.T349 2016