| Record ID | marc_columbia/Columbia-extract-20221130-025.mrc:44586674:1939 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-025.mrc:44586674:1939?format=raw |
LEADER: 01939cam a2200445 i 4500
001 12114651
005 20161027184812.0
008 160516s2016 ncu b 001 0deng
010 $a 2016022666
020 $a9780786499748
020 $a0786499745$qpaperback$qalkaline paper
024 $a99968489587
035 $a(OCoLC)ocn948560930
035 $a(OCoLC)948560930
035 $a(NNC)12114651
040 $aDLC$erda$beng$cDLC$dYDX$dBTCTA$dOCLCF$dYDXCP
042 $apcc
043 $an-us---
050 00 $aML420.K675$bB39 2016
082 00 $a782.42164092$223
245 04 $aThe Beyoncé effect :$bessays on sexuality, race and feminism /$cedited by Adrienne Trier-Bieniek.
264 1 $aJefferson, North Carolina :$bMcFarland & Company, Inc., Publishers,$c[2016]
300 $aviii, 220 pages ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"This collection of new essays presents a detailed study of the music and persona of Beyoncé--arguably the world's biggest pop star. Topics include: the body politics of respectability; feminism, empowerment and gender in Beyoncé's lyrics; black female pleasure; and the changing face of celebrity motherhood"--$cProvided by publisher.
600 00 $aBeyoncé,$d1981-$xCriticism and interpretation.
600 07 $aBeyoncé,$d1981-$2fast$0(OCoLC)fst01727329
650 0 $aSex in music.
650 0 $aFeminism and music.
650 0 $aMusic and race.
650 7 $aFeminism and music.$2fast$0(OCoLC)fst00922744
650 7 $aMusic and race.$2fast$0(OCoLC)fst01030486
650 7 $aSex in music.$2fast$0(OCoLC)fst01114481
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
700 1 $aTrier-Bieniek, Adrienne M.,$eeditor.
852 00 $bmus$hML420.K675$iB39 2016
852 00 $bbar$hML420.K675$iB39 2016