MARC Record from marc_columbia

LEADER: 03944cam a2200577 i 4500
001 12143755
005 20161219161531.0
008 160902t20162016gw a c 000 0deng c
016 7 $a1081435968$2GyFmDB
019 $a950929764
020 $a9783935567824$qhardback
020 $a3935567820$qhardback
024 3 $a9783935567824
035 $a(OCoLC)ocn957081090
035 $a(OCoLC)957081090$z(OCoLC)950929764
035 $a(NNC)12143755
040 $aOHX$beng$erda$cOHX$dOSU$dERASA$dOCLCO$dOCLCQ$dYDXCP$dBTCTA$dBDX$dOCLCF$dOCLCO
041 0 $aeng$afre
042 $apcc
043 $ae-gx---$ae-fr---
050 4 $aN6853.H33$bA4 2016
072 7 $aN$2lcco
082 04 $a700.411
245 00 $aRaymond Hains /$cedited by/sous la direction de Jean-Marie Gallais ; texts by/textes de Jean-Marie Gallais, Hans Ulrich Obrist, Tacita Dean and a conversation between/et una conversation entre Hans Ulrich Obrist and Raymond Hains.
250 $aFirst edition.
264 1 $aBerlin :$bGalerie Max Hetzler ;$a[Berlin] :$bHolzwarth Publications,$c2016.
264 4 $c©2016.
300 $a229 pages :$billustrations (chiefly color, some folded) ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
546 $aParallel texts in English and French.
500 $aOn the occasion of the exhibitions "Raymond la science", held at Galerie Max Hetzler, Berlin-Charlottenburg, October 10 - November 14, 2015; "Raymond l'abstrait", held at Galerie Max Hetzler, Berlin-Charlottenburg, October 10 - November 14, 2015; "Raymond le disert (l'ara Raymond)", held at Galerie Max Hetzler, Paris, October 22 - November 21, 2015.
520 8 $aThroughout his life, French artist Raymond Hains (1926?2005) proved a constant innovator, who in his art always found new means of expression and new ways of finding and presenting images. Immediately after the Second World War he experimented with photograms and optical distortion through camera lenses, in what he termed hypnagogic photography. In the 1950s, he took torn posters from the billboards of the city and offered them as paintings, suggesting an affichiste alternative closer to life than spiritually suffused abstract expressionism. In 1960 he was among the original founders of Nouveau Realisme and carried the grim reality of construction hoardings into the gallery space. He then discovered the possibilities inherent in word play and framed the resulting juxtapositions and narratives in photographs, or collected them in suitcases full of curious findings. He discovered street sculptures at the margins of the cityscape and photographed them, too. Around the new millennium, he began a series of macintoshages, collages of pop-up windows grabbed from a computer screen, while he also developed neon sculptures after the Borromean knots of psychiatrist Jacques Lacan. 0Exhibition: Galerie Max Hetzler, Berlin-Charlottenburg, Germany (10.10.-14.11.2015).
600 10 $aHains, Raymond,$d1926-2005$vExhibitions.
600 10 $aHains, Raymond,$d1926-2005$vInterviews.
650 0 $aMultimedia (Art)$zGermany$vExhibitions.
650 0 $aMultimedia (Art)$zFrance$vExhibitions.
600 17 $aHains, Raymond,$d1926-2005.$2fast$0(OCoLC)fst00228310
650 7 $aMultimedia (Art)$2fast$0(OCoLC)fst01028916
651 7 $aFrance.$2fast$0(OCoLC)fst01204289
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aInterviews.$2fast$0(OCoLC)fst01423832
700 1 $aHains, Raymond,$d1926-2005,$eartist.
700 1 $aGallais, Jean-Marie,$eeditor,$ewriter of added text.
700 1 $aObrist, Hans Ulrich,$ewriter of added text,$einterviewer.
700 1 $aDean, Tacita,$d1965-$ewriter of added text.
710 2 $aGalerie Max Hetzler,$ehost institution.
852 00 $bfaxlc$hN6853.H33$iA4 2016g