MARC Record from marc_columbia

LEADER: 07886cam a2200757 i 4500
001 12169570
005 20160913144535.0
008 141027s2015 enka b 001 0 eng
010 $a 2014039890
035 $a(OCoLC)ocn870517014
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015 $aGBB4E5739$2bnb
016 7 $a016975065$2Uk
019 $a922680848$a951135542
020 $a9781472524225$q(hardback)
020 $a1472524225$q(hardback)
020 $a9781472526496$q(paperback)
020 $a147252649X$q(paperback)
020 $z9781472566645
020 $z1472566645
020 $z9781472566652
020 $z1472566653
024 3 $a9781472526496
029 1 $aAU@$b000053746453
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035 $a(OCoLC)870517014$z(OCoLC)922680848$z(OCoLC)951135542
042 $apcc
050 00 $aTR820$b.G48 2015
082 00 $a070.4/9$223
084 $aPHO000000$aPHO010000$aPHO015000$aART015100$aART015110$aLAN008000$2bisacsh
049 $aZCUA
245 00 $aGetting the picture :$bthe visual culture of the news /$cedited by Jason E. Hill and Vanessa R. Schwartz.
264 1 $aLondon ;$aNew York :$bBloomsbury Academic,$c2015.
300 $axx, 300 pages :$billustrations ;$c26 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"Powerful and often controversial, news pictures promise to make the world at once immediate and knowable. Yet while many great writers and thinkers have evaluated photographs of atrocity and crisis, few have sought to set these images in a broader context by defining the rich and diverse history of news pictures in their many forms. For the first time, this volume defines what counts as a news picture, how pictures are selected and distributed, where they are seen and how we critique and value them. Presenting the best new thinking on this fascinating topic, this book considers the news picture over time, from the dawn of the illustrated press in the nineteenth century, through photojournalism's heyday and the rise of broadcast news and newsreels in the twentieth century and into today's digital platforms. It examines the many kinds of images: sport, fashion, society, celebrity, war, catastrophe and exoticism; and many mediums, including photography, painting, wood engraving, film and video. Packed with the best research and full colour-illustrations throughout, this book will appeal to students and readers interested in how news and history are key sources of our rich visual culture"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages 280-288) and index.
505 00 $gPart I.$tBig pictures :$tDupinade, French caricature, 1831 /$rPatricia Mainardi ;$tGeneral Wool and his troops in the streets of Saltillo, 1847 /$rMartha A. Sandweiss ;$tAn abolitionist daguerreotype, New York, 1850 /$rMatthew Fox-Amato ;$tAntietam sketches and photographs, 1862 /$rAnthony W. Lee ;$tBarricades of Paris Commune, 1871 /$rJeannene Przblyski ;$tInterview of Chevreul, France, 1886 /$rThierry Gervais ;$tZapata and Salinas, Mexico, 1911 and 1991 /$rJohn Mraz ;$tPhotographer on the western front, 1917 /$rCaitlin Patrick ;$tSports photomontage, France, 1926 /$rMichel Frizot ;$tPublic execution, Sing-Sing Prison, 1928 /$rRichard Meyer ;$tPhoto of Kellogg-Briand Pact Meeting, Paris, 1931 /$rDaniel H. Magilow ;$tA decisive moment, France, 1932 /$rCatherine E. Clark ;$tRepublican soldier, Spanish Civil War, 1936 /$rSally Stein ;$tSoviet war photo, Crimea, 1942 /$rDavid Shneer ;$tChild in Warsaw Ghetto, 1943 /$rBarbie Zelizer ;$tFlag-raising, Iwo Jima, 1945 /$rAlexander Nemerov ;$tNew York in color, 1953 /$rVanessa R. Schwartz ;$tRosa Parks fingerprinted, Montgomery, Alabama, 1956 /$rMartin A. Berger ;$tAn essay on success in the USA, 1962 /$rMary Panzer ;$tBurning monk, Saigon, 1963 /$rDiane Winston ;$tKennedy assassination, Dallas, 1963 /$rDavid Lubin ;$tPolitical persecution, Red Square, Harbin, 1966 /$rVictoria Gao ;$tStreet execution of a Viet Cong prisoner, Saigon, 1968 /$rRobert Hariman and John Louis Lucaites ;$tIndustrial poisoning, Minamata, 1972 /$rGennifer Weisenfeld ;$tPolice beating, Los Angeles, 1992 /$rChristian Delage ;$tThe situation room, Washington, DC, 2011 /$rLiam Kennedy --$gPart II.$tRe-thinking the history of news pictures :$tNews pictures and press genres :$tNot just a pretty picture: fashion as news /$rJustine de Young ;$tCelebrity photos and stolen moments /$rRyan Linkof ;$tPictorial press reportage and censorship in the First World War /$rUlrich Keller ;$tIllustrating sports, or the invention of the magazine /$rThierry Gervais ;$tAfter the event: the challenges of crime photography /$rWill Straw --$tNews picture media :$tNews pictures in the early years of mass visual culture in New York: lithographs and the penny press /$rMichael Leja ;$tBeautiful contradictions: news pictures and modern magazines /$rJordana Mendelson ;$t"Public forum of the screen": modernity, mobility, and debate at the newsreel cinema /$rJoseph Clark ;$t"See it now": television news /$rMike Conway ;$tCollective self-representation and the news: torture at Abu-Ghraib /$rAbigail Solomon-Godeau --$tNews picture time :$tAdrift: the time and space of the news in Gâericault's Le Radeau de La Mâeduse /$rJordan Bear ;$tSnap-shot: after bullet hit Gaynor /$rJason E. Hill ;$tRotogravure and the modern aesthetic of news reporting /$rAndrâes Mario Zervigâon ;$tA short history of wire service photography /$rZeynep Devrim Gèursel --$tSpeaking of news pictures :$t"Famished for news pictures": Mason Jackson, the Illustrated London News, and the pictorial spirit /$rJennifer Tucker ;$tCapturing scandal: picturing the sultan's harem in turn-of-the-century Morocco /$rPatricia Goldsworthy-Bishop ;$tNever alone: photo editing and collaboration /$rNadya Bair ;$tLook at those lollipops!: Integrating color into news pictures /$rKim Timby --$tNews picture connoisseurship :$tHorace Vernet's capture of the Smalah: reportage and actuality in the early French illustrated press /$rKatie Hornstein ;$tHindenburg disaster pictures: awarding a multifaceted icon /$rVincent Lavoie ;$tAn era of photographic controversy: Edward Steichen at the MoMA /$rKristen Gresh ;$tPhotojournalism as formal paradigm in contemporary art /$rGaèelle Morel ;$tUneasy witness: Broomberg, Chanarin, and photojournalism's expanded field /$rErina Duganne.
650 0 $aPhotojournalism$xSocial aspects.
650 0 $aJournalism, Pictorial$xHistory.
650 7 $aPHOTOGRAPHY$xGeneral.$2bisacsh
650 7 $aPHOTOGRAPHY$xHistory.$2bisacsh
650 7 $aPHOTOGRAPHY$xPhotojournalism.$2bisacsh
650 7 $aART$xHistory$xModern (late 19th Century to 1945)$2bisacsh
650 7 $aART$xHistory$xContemporary (1945- )$2bisacsh
650 7 $aLANGUAGE ARTS & DISCIPLINES$xJournalism.$2bisacsh
650 7 $aBildpublizistik.$0(DE-588)4212482-7$2gnd
650 7 $aPressephotographie.$0(DE-588)4047166-4$2gnd
650 7 $aDokumentarphotographie.$0(DE-588)4142019-6$2gnd
650 7 $aVisuelle Medien.$0(DE-588)4188423-1$2gnd
650 7 $aVisuelle Kommunikation.$0(DE-588)4131112-7$2gnd
650 7 $aMassmedia.$2sfit
650 7 $aFotografi.$2sfit
650 7 $aMassmedia$xsociala aspekter.$2sao
650 7 $aFotojournalistik$xsociala aspekter.$2sao
650 7 $aPressfotografi$xsociala aspekter.$2sao
650 7 $aNyhetsfèormedling.$2sao
700 1 $aHill, Jason E.
700 1 $aSchwartz, Vanessa R.
856 42 $3Cover image$uhttp://www.netread.com/jcusers2/bk1388/225/9781472524225/image/lgcover.9781472524225.jpg
852 00 $bbar$hTR820$i.G48 2015