MARC Record from marc_columbia

LEADER: 02130cam a22004214i 4500
001 12175125
005 20161027190519.0
008 151023s2016 enka b 001 0 eng d
020 $a9781784532253$qhardcover
020 $a1784532258$qhardcover
024 $a99968803824
035 $a(OCoLC)ocn947096942
035 $a(OCoLC)947096942
035 $a(NNC)12175125
040 $aNLE$beng$erda$cNLE$dOCLCO$dYDXCP$dNDD$dCDX$dNhCcYBP$dNNC
043 $acl-----
050 4 $aNX180.P64$bS23 2016
082 04 $a700.1/03$223
245 00 $aSabotage art :$bpolitics and iconoclasm in contemporary Latin America /$cedited by Sophie Halart and Mara Polgovsky Ezcurra.
264 1 $aLondon ;$aNew York :$bI.B. Tauris,$c2016.
300 $axvii, 238 pages :$billustrations ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aInternational library of modern and contemporary art ;$v28
520 $aSabotage: deliberate disruption of a dominant system, be it political, military or economic. Yet sabotage has also become an artistic strategy - most notably in Latin America. Artists are producing radical, unruly or even iconoclastic work that resists state violence, social conformity and the commodification of art. 'Sabotage art' reveals how contemporary Latin American artists have resorted to 'sabotage' strategies to bridge the gap between aesthetics and politics, and seeks to understand the mystification, cooption and commercialisation of this new, dissident work.
504 $aIncludes bibliographical references and index.
650 0 $aArts$xPolitical aspects$zLatin America.
650 0 $aIconoclasm in art.
650 0 $aDissident art$zLatin America.
650 0 $aRadicalism in art.
650 0 $aArts, Latin American$y20th century.
650 0 $aArts, Latin American$y21st century.
700 1 $aHalart, Sophie,$eeditor.
700 1 $aPolgovsky Ezcurra, Mara,$eeditor.
830 0 $aInternational library of modern and contemporary art ;$v28.
852 00 $bfaxlc$hNX180.P64$iS23 2016g
852 00 $bbar$hNX180.P64$iS23 2016g