MARC Record from marc_columbia

LEADER: 03086cam a2200325Ii 4500
001 12197244
005 20161123122845.0
008 160715s2016 enka b 001 0 eng d
020 $a9781472577092 (PB)
020 $a1472577094 (PB)
020 $z9781472578648 (HB)
035 $a(OCoLC)ocn953862063
035 $a(OCoLC)953862063
035 $a(NNC)12197244
040 $aNLE$beng$erda$cNLE$dBDX$dYDX$dOCLCO$dSNN$dGZN$dCIA
050 4 $aPN1707$b.T455 2016
082 04 $a792.01/5$223
245 00 $aTheatre criticism :$bchanging landscapes /$cDuška Radosavljević.
246 3 $aTheater criticism :$bchanging landscapes
264 1 $aLondon :$bBloomsbury Methuen Drama,$c2016.
300 $axiii, 337 pages :$billustrations ;$c20 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 00 $tTheatre criticism: changing landscapes /$rDuška Radosavljević --$gPart I.$tContexts and histories of theatre criticism.$tStyle versus substance: American theatre criticism since 1945 /$rGeorge Hunka --$tThe problem of reliability: theatre criticism in Latvia /$rValda Čakare --$tFrom the uncritical certainties of modernism to the critical uncertainties of postmodernism: reviewing theatre in Greece /$rSavas Patsalidis --$tRussian theatre criticism: in search of contemporary relevance /$rKristina Matvienko --$tHow to get your hands dirty: old and new models of 'militant' theatre criticism in Italy /$rMargherita Laera --$tWhat German theatre critics think and what their readers expect: an empirical analysis of misunderstandings /$rVasco Boenisch --$tA brief history of online theatre criticism in England /$rAndrew Haydon --$gPart II.$tCritics' voices.$tDo they mean me?: a survey of fictional theatre critics /$rMark Fisher --$tBetween journalism and art: the location of criticism in the twenty-first century /$rMark Brown --$tCode-switching and constellations: on feminist theatre criticism /$rJill Dolan --$tThe critic as insider: shifting UK critical practice towards 'embedded' relationships and the routes this opens up towards dialogue and dramaturgy /$rMaddy Costa --$gPart III.$tChanging forms and functions of criticism.$tCriticism as a political event /$rDiana Damian Martin --$tConversation and criticism: audiences and unfinished critical thinking /$rMatthew Reason --$tCrowdsourcing the review and the record: a collaborative approach to theatre criticism and archiving in the digital age /$rMichelle MacArthur --$tArticism (Art + Criticism) and the live birds of passionate response /$rNataša Govedić --$tPerformative criticism and creative critical writing /$rWilliam McEvoy --$gPart IV.$tSamples of critical practice.$tHow to think like a theatre critic /$tAlison Croggon --$tNOTA /$rOpen Dialogues --$tHuff /$rAlice Saville --$tTeh Internet is a serious business /$rMegan Vaughan.
650 0 $aDramatic criticism.
650 0 $aTheaters.
700 1 $aRadosavljević, Duška,$eeditor.
852 00 $bglx$hPN1707$i.T455 2016g