MARC Record from marc_columbia

LEADER: 03496cam a2200553Ii 4500
001 12214514
005 20170221144512.0
008 161014t20162016gw a bc 000 0 ger d
019 $a963913371
020 $a9783864421877
020 $a386442187X
024 3 $a9783864421877
035 $a(OCoLC)ocn964574307
035 $a(OCoLC)964574307$z(OCoLC)963913371
035 $a(NNC)12214514
040 $aJPG$beng$erda$cJPG$dYUS$dMZA$dOCLCF
041 1 $ager$aeng$hger
050 4 $aN6888.B587$bA4x 2016
245 00 $aHartmut Böhm :$bor-or /$ceditors, Renate Wiehager, Christian Ganzenberg ; texts, Nadine Brüggebors, Christian Ganzenberg, Renate Wiehager.
246 30 $aOr-or
264 1 $aKöln$bSnoeck,$c[2016]
264 4 $c©2016
300 $a1 volume (unpaged) :$billustrations (some color) ;$c24 cm x 24 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aDaimler art collection
500 $aNo title page, title from spine and cover.
500 $aBook has special paperback binding with only one side fixed to the book (spine not attached).
500 $aCatalog of an exhibition "Vis-á-Vis with Adolf Fleischmann: Hartmut Böhm and Andreas Schmid", held at Daimler Contemporary Berlin, April 30-November 6, 2016.
504 $aIncludes bibliographical references.
520 8 $aHartmut Böhm first conceived the idea for his new group of artworks -- the table piece group -- in 2013. These are arrangements of found objects from the studio -- drawing apparatus, working materials, working tools, adhesive tape rolls, index card boxes, invitation cards, and brochures -- on simple tables, arrangements in which the individual object becomes part of a formally developed vocabulary, a visually composed Arrangement. The artwork commissioned by the Daimler Art Collection, or-or, 2016, is a continuation of this series, and can be seen as a visual essay on the subject of his artistic oeuvre. Passing along this seven-meter-long display, the viewer passes through the vocabulary of Hartmut Böhm's intellectual landscape. This artwork, which contains a wide range of material from the realms of typographical objects, of artists' materials, and of selected objects from the studio, can be read in a number of different ways. The artist himself has offered the following terms for the consideration of anyone attempting to read the piece: matrix and metaphor, emptiness and volume, overlayering and penetration, system and syntax, form and structure.
546 $aIn German and English.
600 10 $aBöhm, Hartmut,$d1938-$vExhibitions.
650 0 $aInstallations (Art)$y21st century$vExhibitions.
600 17 $aBöhm, Hartmut,$d1938-$2fast$0(OCoLC)fst00313052
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 12 $aBöhm, Hartmut,$d1938-$tWorks.$kSelections.
700 1 $aWiehager, Renate,$d1959-$eeditor,$ewriter of added commentary.
700 1 $aGanzenberg, Christian,$eeditor,$ewriter of added commentary.
700 1 $aBrüggebors, Nadine,$ewriter of added commentary.
710 2 $aDaimler Contemporary (Gallery),$ehost institution.
730 02 $aHartmut Böhm.
730 02 $aHartmut Böhm.$lEnglish.
830 0 $aArtist book (Daimler Kunst Sammlung)
852 00 $bfaxlcn$hN6888.B587$iA4 2016g