MARC Record from marc_columbia

LEADER: 03205cam a2200421Ii 4500
001 12875071
005 20171120154639.0
008 171004t20172017mnuac bc 000 0deng d
019 $a985636138$a986027691
020 $a151790417X
020 $a9781517904173
035 $a(OCoLC)ocn985955307
035 $a(OCoLC)985955307$z(OCoLC)985636138$z(OCoLC)986027691
035 $a(NNC)12875071
040 $aYDX$beng$erda$cYDX$dBDX$dERASA$dMAV
043 $aa-ja---
050 4 $aN6490
050 4 $aNK9900.7.J3$bM37 2017
082 04 $a700.411
100 1 $aMarks, Andreas,$eauthor,$ecurator.
245 10 $aHard bodies :$bcontemporary Japanese lacquer sculpture /$cAndreas Marks.
264 1 $a[Minneapolis, Minn.] :$bMinneapolis Institute of Art,$c[2017]
264 4 $c©2017
300 $a169 pages :$billustrations (chiefly color), portraits ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with the exhibition "Hard Bodies: Contemporary Japanese Lacquer Sculpture", presented by the Minneapolis Institute of Art, October 7, 2017-June 24, 2018.
505 00 $tDirector's foreword --$tPreface and acknowledgements --$tIntroduction --$gCatalogue.$tKofushiwaki Tsukasa ; Fujita Toshiaki ; Tanaka Nobuyuki ; Kurimoto Natsuki ; Matsushima Sakurako ; Sasai Fumie ; Muramoto Shingo ; Murata Yoshihiko ; Igawa Takeshi ; Aoki Chie ; Yokouchi Mie ; Ishizuka Genta ; Aoki Kōdō ; Yoshino Takamasa ; Sano Akira ; Someya Satoshi --$tArtist chronologies --$tAppendix: The production process for Aoki Chie's "Body 09-1 'Impact'" --$tJapanese glossary --$tSelected bibliography.
520 8 $aSince the Neolithic era, artisans in East Asia have coated bowls, cups, boxes, baskets, and other utilitarian objects with a natural polymer distilled from the sap of the Rhus verniciflua, known as the lacquer tree. Lacquerware was, and still is, prized for its sheen, a lustrous beauty that artists learned to accentuate over the centuries with inlaid gold, silver, mother-of-pearl, and other precious materials. This tradition has undergone challenges over the past thirty years. A small but enterprising circle of lacquer artists has pushed the medium in entirely new and dynamic directions by creating large-scale sculptures, works that are both conceptually innovative and superbly exploitive of lacquer's natural virtues. Featuring thirty works by sixteen artists, this handsome publication details the first-ever exhibition of contemporary Japanese lacquer sculpture in the United States, shown at the Minneapolis Institute of Art. Exhibition: Minneapolis Institute of Art, Minneapolis, United States (07.10.2017 - 21.02.2018).
504 $aIncludes bibliographical references (pages 167-169).
650 0 $aLacquer and lacquering$zJapan$y21st century$vExhibitions.
650 0 $aSculpture, Japanese$y21st century$vExhibitions.
650 0 $aSculpture$xTechnique.
650 0 $aLacquer and lacquering$xTechnique.
710 2 $aMinneapolis Institute of Art,$ehost institution,$eissuing body,$epublisher.
852 00 $boff,fax$hNK9900.7.J3$iM37 2017g