Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:101414539:3300 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:101414539:3300?format=raw |
LEADER: 03300cam a2200529Ia 4500
001 12876043
005 20180416144344.0
008 170929s2017 gw ac bc 000 0dger d
016 7 $a1131582144$2GyFmDB
020 $a9783775743464$q(pbk.)
020 $a3775743464$q(pbk.)
024 3 $a9783775743464
035 $a(OCoLC)on1004661043
035 $a(OCoLC)1004661043
035 $a(NNC)12876043
040 $aOHX$beng$cOHX$dJPG$dOCLCF
041 1 $ager$aeng$hger
043 $ae-gx---
050 4 $aTR647$b.M47 2017
072 7 $aTR$2lcco
100 1 $aMessmer, Arwed,$d1964-
245 10 $aRAF :$bno evidence = kein Beweis /$cArwed Messmer ; [Übersetzungen ins Englische: Greg Bond, Simon Cowper].
246 3 $aRote Armee Fraktion
246 30 $aNo evidence
246 30 $aKein Beweis
260 $aBerlin :$bHatje Cantz,$cc2017.
300 $aapproximately 128 pages :$billustrations (some color), portraits ;$c33 cm. +$e1 supplemental booklet (44 unnumbered pages)
500 $aOn the occasion of an exhibition held at the Museum Folkwang, Essen, June 9 - September 3, 2017; in cooperation with the Biennale für aktuelle Fotografie, Mannheim, September 9 - November 5, 2017.
500 $aContains no title page, title from dust jacket.
500 $aSupplemental booklet inserted in pocket.
504 $aIncludes bibliographical references.
520 $a"Numerous accounts of the RAF and the 'German fall' of 1977 have been given over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer works with the various photographs made by police photographers at the time - pictures of demonstrators, crime scene images, and mug shots. He asks how this historical search for criminological evidence can be employed artistically today. His narrative strikes an arc from the beginnings of the RAF to the multiple eruptions of violence in 1977, the abduction and murder of Hanns Martin Schleyer, and the deaths of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim prison. Messmer's work also ahs an ethical dimension, asking which photographs can be shown, how can they be shown, and why we want to see them? This investigation touches on a key issue in the debate on images that are both historical documents and pictures with their own aesthetic quality and a powerful and independent potential for an empathetic examination of history"--Back cover of supplement.
546 $aParallel texts in German and English.
600 10 $aMessmer, Arwed,$d1964-$vExhibitions.
610 20 $aRote Armee Fraktion$vExhibitions.
600 17 $aMessmer, Arwed,$d1964-$2fast$0(OCoLC)fst01969102
610 27 $aRote Armee Fraktion.$2fast$0(OCoLC)fst01732691
650 0 $aPhotography, Artistic$y20th century$vExhibitions.
650 0 $aDocumentary photography$zGermany$vExhibitions.
650 7 $aDocumentary photography.$2fast$0(OCoLC)fst00896093
650 7 $aPhotography, Artistic.$2fast$0(OCoLC)fst01061964
651 7 $aGermany.$2fast$0(OCoLC)fst01210272
648 7 $a1900-1999$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
710 2 $aMuseum Folkwang Essen.
711 2 $aBiennale für aktuelle Fotografie$d(2017 :$cMannheim, Germany)
852 00 $boff,fax$hTR647$i.M47 2017g