| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:102218738:1220 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:102218738:1220?format=raw |
LEADER: 01220cam a2200337 i 4500
001 12891217
005 20171120154752.0
008 170825s2017 sz 000 0 eng d
019 $a974684859$a974738535$a974984445$a975026608$a975079815$a975378259
020 $a9783319563657$qhardcover
020 $a3319563653$qhardcover
024 $a40027503855
035 $a(OCoLC)ocn975368419
035 $a(OCoLC)975368419$z(OCoLC)974684859$z(OCoLC)974738535$z(OCoLC)974984445$z(OCoLC)975026608$z(OCoLC)975079815$z(OCoLC)975378259
035 $a(NNC)12891217
040 $aNhCcYBP$beng$erda$cNhCcYBP
043 $ae-uk---
050 4 $aN7476$b.G55 2017
082 04 $a701/.18$223
100 1 $aGillon, Les,$eauthor.
245 14 $aThe uses of reason in the evaluation of artworks :$bcommentaries on the Turner Prize /$cLes Gillon.
264 1 $aCham, Switzerland :$bPalgrave Macmillan,$c[2017]
300 $avii, 163 pages ;$c22 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
650 0 $aArt criticism.
650 0 $aTurner Prize.
650 0 $aArt$xAwards$zGreat Britain.
650 0 $aArt criticism$zGreat Britain.
852 00 $bfaxlc$hN7476$i.G55 2017g