MARC Record from marc_columbia

LEADER: 03272cam a2200457Ii 4500
001 12895512
005 20171120154902.0
008 171011s2017 enka bc 000 0deng d
019 $a1002686533
020 $a9781857096224
020 $a1857096223
035 $a(OCoLC)ocn990412706
035 $a(OCoLC)990412706$z(OCoLC)1002686533
035 $a(NNC)12895512
040 $aERASA$beng$erda$cERASA$dQGJ$dERD$dQGJ$dYDX$dOCLCF$dISS$dFXM
043 $ae-it---
050 4 $aND623.G619$bA4 2017
082 04 $a709.945
100 1 $aKoopstra, Anna,$eauthor.
245 10 $aGiovanni da Rimini :$bScenes from the lives of the Virgin and other Saints /$cAnna Koopstra.
264 1 $aLondon :$bNational Gallery,$c2017.
264 2 $a[New Haven] :$bDistributed by Yale University Press
300 $a64 pages :$bcolor illustrations ;$c27 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 60-63).
500 $a"Published to accompany the exhibition "Giovanni da Rimini: a 14th-century Masterpiece Unveiled, 14 June - 8 October 2017."--Title page verso.
505 00 $gDirector's preface --$gIntroduction --$gI.$tGiovanni da Rimini and painting in Rimini around 1300 --$gII.$tGiovanni da Rimini's Scenes from the lives of the Virgin, Saint John the Evangelist, Saint Catherine of Alexandria, Saint Francis and Saint John the Baptist --$gIII.$t(Hinged) diptych, pendant panel or independent panel painting?: reconsidering the painting's original function.
520 8 $aThis monograph celebrates the National Gallery's 2015 acquisition of Giovanni da Rimini's 'Scenes from the Lives of the Virgin and Other Saints' (c. 1300--1305). The painting is a rare survival from the late Middle Ages, uniting the exquisite detail of late Byzantine icons with the new, more naturalistic and expressive style exemplified by the Florentine painter Giotto. Probably created for private contemplation and worship, the painting may be the left wing of a diptych, a theory that is examined here in relation to its assumed companion panel Scenes from the Life of Christ (from the Galleria Nazionale d'Arte Antica, Palazzo Barberini, Rome). Significant new research explains its iconography, its devotional function, and the historical context in which it was created, while fresh technical analysis brings a greater understanding of the making and purpose of the panels and how they were originally displayed.
600 00 $aGiovanni,$cda Rimini,$dactive 1292-1309$vExhibitions.
600 00 $aGiovanni,$cda Rimini,$dactive 1292-1309.$tScenes from the lives of the Virgin and other Saints$vExhibitions.
650 0 $aPainting, Medieval$zItaly$zRimini$vExhibitions.
650 0 $aPainting, Italian$zItaly$zRimini$y14th century$vExhibitions.
650 0 $aChristian art and symbolism$yMedieval, 500-1500$vExhibitions.
650 0 $aChristian saints in art$vExhibitions.
650 7 $aChristian saints in art.$2fast$0(OCoLC)fst00859513
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
710 2 $aNational Gallery (Great Britain),$eissuing body,$ehost institution.
852 00 $bfaxlc$hND623.G619$iA4 2017g