MARC Record from marc_columbia

LEADER: 03616cam a2200589 i 4500
001 12906491
005 20190122161724.0
008 170313t20172017ctua b 001 0 eng
010 $a 2017005511
020 $a9780300219951$qhardcover ;$qalkaline paper
020 $a0300219954$qhardcover ;$qalkaline paper
024 $a99978530430
035 $a(OCoLC)ocn976405866
035 $a(OCoLC)976405866
035 $a(NNC)12906491
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dOCLCQ$dYDX$dBTCTA$dERASA$dYDX$dCHVBK$dGZM$dOCLCO$dOCLCF$dOCLCA$dIOJ
042 $apcc
043 $ae-it---
050 00 $aN8217.E6$bT87 2017
082 00 $a700/.4538$223
100 1 $aTurner, James,$d1947-$eauthor.
245 10 $aEros visible :$bart, sexuality and antiquity in Renaissance Italy /$cJames Grantham Turner.
264 1 $aNew Haven :$bYale University Press,$c2017.
264 4 $c©2017
300 $a464 pages :$billustrations (some color) ;$c29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 8 $aFocusing on the impact of the erotic revolution that swept through 16th-century Italy, Eros Visible presents a compendious, revisionist account of High Renaissance art. Through close visual analysis of artworks and careful reading of related texts, James Grantham Turner demonstrates the surprisingly close connection between explicitly pornographic art and the canonical works of masters such as Leonardo, Raphael, and Michelangelo. Full of new discoveries, this volume explores the passionate response to antiquity and how a new sex-positive philosophy not only encouraged an increased accentuation of sensual and erotic themes in art, but influenced the sexual cultures of both the court and the art studio. With an interdisciplinary approach that draws on a wide array of visual and textual erotica, Turner offers the first broad, synthetic history of the classically inspired and unambiguously lascivious sensibilities behind some of the most sublime artistic achievements of the Renaissance.
505 0 $aIntroduction: Profane love -- Foundations and preconditions : 'Poets and sculptors ancient and modern write and sculpt lascivious things to amuse the mind' -- Mars and Venus in the net of art : from classical models to the Villa Farnesina -- Venus, Mars and Vulcan in the high Renaissance -- The mirror of Venus : Titan and Tintoretto -- The stain in the marble, or faliing in love with the Cnidian Venus -- 'Double art' and multiple sexualities : La delicatezza del tondo -- 'Difficult mixtures' : virtuosity and erotic figuration in Marcantonio and Michelangelo.
600 07 $aMars$cGott$2gnd
600 07 $aVenus$cGöttin$2gnd
650 0 $aErotic art.
650 0 $aSex and art$zItaly$xHistory$y16th century.
650 0 $aArt, Italian$y16th century$xThemes, motives.
650 0 $aArt, Renaissance$zItaly.
650 7 $aAktdarstellung$2gnd
650 7 $aErotik$gMotiv$2gnd
650 7 $aErotische Kunst$2gnd
650 7 $aKunst$2gnd
650 7 $aLiebe$gMotiv$2gnd
651 7 $aItalien$2gnd
650 7 $aArt, Italian$xThemes, motives.$2fast$0(OCoLC)fst00816463
650 7 $aArt, Renaissance.$2fast$0(OCoLC)fst00816786
650 7 $aErotic art.$2fast$0(OCoLC)fst00914768
650 7 $aSex and art.$2fast$0(OCoLC)fst01910170
651 7 $aItaly.$2fast$0(OCoLC)fst01204565
648 7 $a1500-1599$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bfaxlc$hN8217.E6$iT868 2017g
852 00 $bbar$hN8217.E6$iT87 2017