MARC Record from marc_columbia

LEADER: 03937cam a2200601 i 4500
001 12907838
005 20190121134645.0
008 170117s2017 nyuac c 000 0deng
010 $a 2017001896
020 $a3952446130$qcanvas paperback
020 $a9783952446133$qcanvas paperback
029 1 $aAU@$b000059526315
035 $a(OCoLC)967973015
035 $a(POOF2)9337
035 $a(NNC)12907838
040 $aDLC$beng$erda$cDLC$dBTCTA$dOCLCO$dBDX$dOCLCF$dOCLCQ$dERASA$dYDX$dYDX$dNMWMA$dYOU
043 $as-bl---
050 00 $aN6659.P32$bA4 2017
082 00 $a709.2$223
130 0 $aLygia Pape (Hauser & Wirth London)
245 10 $aLygia Pape.
264 4 $c©2017
264 1 $aNew York :$bHauser & Wirth Publishers,$c[2017]
300 $a95 pages :$billustrations, portrait (some color) ;$c33 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"Concept and organization: Projeto Lygia Pape with Olivier Renaud-Clément."
500 $aIssued in connection with an exhibition held Sept. 23- Nov. 19, 2016, Hauser & Wirth London.
505 0 $aForeword / Manuela and Iwan Wirth -- Installation -- Ttéia no. 7 -- Slits, eyes, geometries / Briony Fer -- Plates -- Tecelares, Desenhos, O Ovo -- Creation, or at lux / Daniel Birnbaum -- Installation -- Ttéia 1, C -- List of Works -- Lygia Pape, 1927-2004.
520 8 $aA founding member of Brazil's Neo-Concrete movement, Lygia Pape (1927-2004) valued art that favoured the primacy of the viewer and his or her sensorial experience. Pape's geometric abstractions explored rich territory via the media of sculpture, drawing, engraving, filmmaking and installation. This publication brings together a group of works spanning from 1955 to 2001. The precise, incised lines of Pape's "Tecelares" woodcut prints and drawings of the 1950s and 1960s marry pure geometry with organic patterns. Her subsequent "Ttéiav installations" (begun in the late 1970s and continued throughout her career) present captivating explorations of geometry, space and materiality. Particularly notable among the installations is "Ttéia no. 7" (1991). Consisting of two small blue pyramids illuminated by a blue light from above, the work explores the boundaries between color, light and material, as well as the nuanced experience of looking. The book's deep blue cover, as well as the translucent blue pages bound-in throughout, pays homage to this work. Immersive installation views and focused detail shots complement the perceptive and thoughtful texts by Briony Fer and Daniel Birnbaum, two ardent followers of Pape's work. Birnbaum, who featured Pape's "Ttéia 1, C" (2001/2016) as the opening piece in the 53rd Venice Biennale, speaks to the artwork's heritage and legacy. Exhibition: Hauser & Wirth, London, United Kingdom (23.09.-19.11.2016).
600 10 $aPape, Lygia$vExhibitions.
650 0 $aLine (Art)
650 0 $aGeometry in art.
650 0 $aWood-engraving$zBrazil$vExhibitions.
650 0 $aDrawing, Brazilian$vExhibitions.
650 0 $aConcrete art$zBrazil$vExhibitions.
650 0 $aArt, Abstract$zBrazil$vExhibitions.
650 0 $aCircle in art.
650 0 $aTriangle in art.
650 7 $aGeometric abstraction.$2aat
650 7 $aGeometric shape.$2aat
650 7 $aGeometric patterns.$2aat
650 0 $aDrawing, Abstract$zBrazil$vExhibitions.
650 0 $aAvant-garde (Aesthetics)$zBrazil$vExhibitions.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2lcgft
700 1 $aPape, Lygia,$eartist.
700 1 $aRenaud-Clément, Olivier,$edeveloper of concept,$eorganizer.
710 2 $aHauser & Wirth London,$eorganizer,$ehost institution.
710 2 $aProjeto Lygia Pape,$edeveloper of concept,$eorganizer.
852 00 $bfaxlc$hN6659.P32$iA4 2017