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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-026.mrc:115804988:3478
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:115804988:3478?format=raw

LEADER: 03478cam a2200529 i 4500
001 12908902
005 20180124131333.0
008 171024s2017 caua bc s001 0 eng
010 $a 2017005893
019 $a962017136
020 $a9780983881322$q(hardcover ;$qalkaline paper)
020 $a0983881324$q(hardcover ;$qalkaline paper)
024 8 $a40027288254
035 $a(OCoLC)ocn962227296
035 $a(OCoLC)962227296$z(OCoLC)962017136
035 $a(NNC)12908902
037 $a37919
040 $aDLC$beng$erda$cDLC$dBTCTA$dOCLCO$dBDX$dOCLCF$dOCLCQ$dERASA$dYDX$dYDX$dOCLCO$dUBY$dYUS$dCIA$dGUA$dPAU$dWAU
042 $apcc
043 $an-us---
050 00 $aN6537.H658$bA4 2017
082 00 $a759.13$223
245 00 $aCharles Howard :$ba margin of chaos /$c[editor] Apsara DiQuinzio ; with contributions by Robert Gober and Lauren Kroiz.
246 30 $aMargin of chaos
264 1 $a[Berkeley] :$bUniversity of California, Berkeley Art Museum and Pacific Film Archive,$c[2017]
264 2 $aNew York, NY :$bARTBOOK/D.A.P.
300 $a127 pages :$bcolor illustrations ;$c29 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished in conjunction with the exhibition held at the Berkeley Art Museum and Pacific Film Archive, June 21-October 1, 2017.
504 $aIncludes bibliographical references (pages 114-116) and index.
505 0 $aIn and around margins / Apsara DiQuinzio -- To the absent friend / Robert Gober -- Charles Howard : intermediate genius / Lauren Kroiz -- What concerns me / Charles Howard -- Plates -- Chronology / Valerie Moon.
520 8 $a'Charles Howard: A Margin of Chaos' accompanies the first museum exhibition dedicated to American artist Charles Houghton Howard (1899-1978) since 1956. Howard, part of a circle of artists that included Alexander Calder, Gordon Onslow Ford, Grant Wood and Ben Nicholson, had an active and distinguished career in midcentury America and England. His enigmatic, meticulous paintings, often intimate in scale, bridge figurative, Surrealist and abstract currents in modern art. Though his work evolved over his career, Howard said that all of his pictures "are closely related. They are in fact all portraits of the same general subject, of the same idea, carried as far as I am able at the time." The first scholarly publication on Howard, this fully illustrated volume includes essays by Apsara DiQuinzio, Robert Gober and Lauren Kroiz, a reprint of one of Howard's own essays from 1946, an illustrated chronology and exhibition history. --Exhibition: Berkeley Art Museum and Pacific Film Archive, United States (21.06-01.10.2017).
600 10 $aHoward, Charles,$d1899-1978$vExhibitions.
600 17 $aHoward, Charles,$d1899-1978.$2fast$0(OCoLC)fst00272842
650 0 $aArt, Abstract$zUnited States$vExhibitions.
650 7 $aArt, Abstract.$2fast$0(OCoLC)fst00815850
651 7 $aUnited States.$2fast$0(OCoLC)fst01204155
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aDiQuinzio, Apsara,$eeditor.
700 12 $iContainer of (work):$aHoward, Charles,$d1899-1978.$tWorks.$kSelections.
700 1 $aGober, Robert,$d1954-$econtributor.
700 1 $aKroiz, Lauren,$d1980-$econtributor.
710 2 $aBerkeley Art Museum and Pacific Film Archive,$ehost institution,$eorganizer.
852 00 $bfaxlc$hN6537.H658$iA4 2017