| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:116972281:1540 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:116972281:1540?format=raw |
LEADER: 01540cam a2200289Ia 4500
001 12910268
005 20171220112633.0
008 170925s2017 ne a c 000 0 dut d
020 $a949091374X
020 $a9789490913748
035 $a(OCoLC)ocn991344769
035 $a(OCoLC)991344769
035 $a(NNC)12910268
040 $aYDX$beng$cYDX$dERASA$dJPG
041 0 $adut$aeng
050 4 $aTR656$b.T46 2017
082 04 $a700.411
100 1 $aTholens, Joost.
245 10 $aFotografiek.$nII /$cJoost Tholens.
260 $aAmsterdam :$bDe Buitenkant,$c2017.
300 $a72 p. :$bill. (chiefly col.) ;$c24 cm.
520 8 $aJoost Tholens is fascinated by the abstraction of photography. For him, although it holds true that photography essentially entails making an image, it is hardly about making a representation of reality. Photography is about what something looks like after it has been photographed. In his ?reconstructed reality?, Tholens composes pieces of visible reality through images that are mirrored, repeated, and distorted. The collection of works in this book seem to place the viewer at a rational and emotional distance from a recognisable reality, thereby initiating a potentially complicated visual and associative play, with implications for meaning, cognition, and emotion within photography.
546 $aIn Dutch and English.
600 10 $aTholens, Joost$vCatalogs.
650 0 $aPhotography, Abstract$vCatalogs.
650 0 $aPhotography, Artistic$y21st century$vCatalogs.
852 00 $bfaxlc$hTR656$i.T46 2017g