MARC Record from marc_columbia

LEADER: 02891pam a2200517 i 4500
001 12911376
005 20171120155537.0
008 170830t20172017enka b 001 0 eng
010 $a 2017023562
020 $a9781107180840$qhardcover
020 $a1107180848$qhardcover
024 $a40027563507
035 $a(OCoLC)ocn987360479
035 $a(OCoLC)987360479
035 $a(NNC)12911376
040 $aDLC$beng$erda$cDLC$dYDX$dOCLCF$dNhCcYBP
042 $apcc
043 $ae-uk-en
050 00 $aPN2592.13.M88$bS65 2017
082 00 $a781.5/5$223
100 1 $aSmith, Simon,$d1984-$eauthor.
245 10 $aMusical response in the early modern playhouse, 1603-1625 /$cSimon Smith.
264 1 $aCambridge, United Kingdom ;$aNew York, NY, USA :$bCambridge University Press,$c2017.
264 4 $c©2017
300 $axvi, 246 pages ;$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
520 $a"Presupposing no specialist musical knowledge, this book offers a fresh perspective on the dramatic role of music in the plays of Shakespeare and his early seventeenth-century contemporaries. Simon Smith argues that many plays used music as a dramatic tool, inviting culturally familiar responses to music from playgoers. Music cues regularly encouraged audiences to listen, look, imagine or remember at dramatically critical moments, shaping meaning in plays from The Winter's Tale to A Game at Chess, and making theatregoers active and playful participants in playhouse performance. Drawing upon sensory studies, theatre history, material texts, musicology and close reading, Smith argues for the importance of music in familiar and less well-known plays including Antony and Cleopatra, Othello, The Revenger's Tragedy, Sophonisba, The Spanish Gypsy and A Woman Killed With Kindness"--$cProvided by publisher.
505 8 $aMachine generated contents note: Introduction; 1. Listening; 2. Looking; 3. Imagining; 4. Remembering; Coda.
650 0 $aMusic in the theater.
650 0 $aTheater$zEngland$xHistory$y17th century.
650 0 $aDramatic music$zEngland$y17th century$xHistory and criticism.
650 0 $aMusic and literature.
650 0 $aEnglish drama$y17th century$xHistory and criticism.
650 7 $aDramatic music.$2fast$0(OCoLC)fst00897546
650 7 $aEnglish drama.$2fast$0(OCoLC)fst00910737
650 7 $aMusic and literature.$2fast$0(OCoLC)fst01030479
650 7 $aMusic in the theater.$2fast$0(OCoLC)fst01721329
650 7 $aTheater.$2fast$0(OCoLC)fst01149217
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1600-1699$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bglx$hPN2592.13.M88$iS65 2017