MARC Record from marc_columbia

LEADER: 03930cam a2200469 i 4500
001 12915397
005 20171220112918.0
008 171031s2017 nyua bc 001 0 eng c
010 $a 2017004616
020 $a9780300225686$qhardcover
020 $a0300225687$qhardcover
035 $a(OCoLC)ocn971333728
035 $a(OCoLC)971333728
035 $a(NNC)12915397
040 $aFXM/DLC$beng$erda$cFXM$dDLC$dOCLCO$dOCLCF$dFXM$dBDX$dBTCTA$dYDX$dERASA$dYDX$dOCLCO$dGZM
042 $apcc
050 00 $aND813.M9$bA4 2017
082 00 $a759.6$223
100 1 $aSalomon, Xavier F.,$d1979-$eauthor.
245 10 $aMurillo :$bthe self-portraits /$cXavier F. Salomon and Letizia Treves ; with María Álvarez Garcillán, Silvia A. Centeno, Jaime García-Máiquez, Larry Keith, Dorothy Mahon, and Nicole Ryder.
264 1 $aNew York, NY :$bThe Frick Collection ;$aNew Haven, CT :$bYale University Press,$c[2017]
300 $a143 pages :$bmostly color illustratuions ;$c31 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $a"This catalogue is published in conjunction with the exhibition Murillo: The Self-Portraits, on view at The Frick Collection (October 31, 2017-February 4, 2018) and at the National Gallery, London (February 28-May 21, 2018)."
504 $aIncludes bibliographical references and index.
505 0 $aMurillo's self-portraits: a sketch / Xavier F. Salomon -- "An arsenal of passions": the Frick self-portrait from Seville to Manhattan / Xavier F. Salomon -- Murillo and Britain: the National Gallery self-portrait / Letizia Treves -- Checklist of the exhibition -- Technical studies -- Murillo's self-portrait of ca. 1650-55 / Dorothy Mahon and Silvia A. Centeno -- Murillo's Young Boy / Nicole Ryder -- Murillo's self-portrait of ca. 1670 / Larry Keith -- Murillo's Juan de Saavedra / María Alvarez-Garcillán.
520 8 $aThis beautiful publication accompanies an exhibition that brings together the only two known self-portraits by Bartolome Esteban Murillo (1617-1682), one of the finest painters of the Spanish Golden Age. Painted almost twenty years apart, these two remarkable paintings are often overshadowed by Murillo's more famous religious paintings and genre scenes. This book investigates the two self-portraits side by side, highlighting similarities and differences. While the earlier portrait reflects Murillo's admiration of antiquity and imitation of classical models, the later one shows a confident, mature artist who was at that time the leading painter in Seville. In addition, the book discusses recent technical analysis, offering a better understanding of how these self-portraits were painted, and provides a rare opportunity to compare how one of the most celebrated and influential European painters chose to represent himself at different stages of his exceptional career.00Exhibition: The Frick Collection, New York, USA (30.10.2017-04.02.2018); The National Gallery, London, UK (28.02-21.05.2018).
600 10 $aMurillo, Bartolomé Esteban,$d1617-1682$xSelf-portraits$vExhibitions.
600 17 $aMurillo, Bartolomé Esteban,$d1617-1682.$2fast$0(OCoLC)fst00074455
700 1 $aTreves, Letizia,$eauthor.
700 1 $aAlvarez-Garcillán Morales, María,$ewriter of supplementary textual content.
700 1 $aCenteno, Silvia A.,$ewriter of supplementary textual content.
700 1 $aGarcía-Máiquez, Jaime,$ewriter of supplementary textual content.
700 1 $aKeith, Larry,$ewriter of supplementary textual content.
700 1 $aMahon, Dorothy,$ewriter of supplementary textual content.
700 1 $aRyder, Nicole,$ewriter of supplementary textual content.
710 2 $aFrick Collection,$ehost institution.
710 2 $aNational Gallery (Great Britain),$ehost institution.
852 00 $bfaxlc$hND813.M9$iA4 2017