MARC Record from marc_columbia

LEADER: 03162cam a2200517 i 4500
001 12915538
005 20171220112928.0
008 170415t20172017ne ab b 001 0 eng c
010 $a 2017032433
019 $a982616334
020 $a9789004341494$q(hardback)
020 $a9004341498
020 $a9789004341500$q(e-book)
020 $a9004341501$q(e-book)
035 $a(OCoLC)ocn982652350
035 $a(OCoLC)982652350$z(OCoLC)982616334
035 $a(NNC)12915538
040 $aBTCTA$beng$erda$cBTCTA$dYDX$dERASA$dCAM$dOCLCF$dJPG$dUPM$dDLC$dOHX
042 $apcc
043 $ancho---$anc-----
050 4 $aF1434.2.P8$bJ69 2017
082 04 $a980.01
100 1 $aJoyce, Rosemary A.,$d1956-$eauthor.
245 10 $aPainted pottery of Honduras :$bobject lives and itineraries /$cby Rosemary A. Joyce.
264 1 $aLeiden ;$aBoston :$bBrill,$c[2017]
264 4 $c©2017
300 $axii, 353 pages :$billustrations (chiefly color), map ;$c25 cm.
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
336 $acartographic image$bcri$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aThe early Americas: history and culture,$x1875-3264 ;$vvolume 6
504 $aIncludes bibliographical references (pages 321-343) and index.
520 8 $aIn 'Painted Pottery of Honduras,' Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices.
505 0 $aPart I. Using pots -- Forming intentions -- Feasting families -- Telling stories -- Honoring ancestors -- Burying pots -- Part II. Understanding fragments -- Collecting pots -- Making time -- Finding places -- Tracing boundaries -- Picturing meaning -- Epilogue.
650 0 $aIndian pottery$zHonduras$zUlúa River Valley.
651 0 $aUlúa River Valley (Honduras)$xAntiquities.
650 0 $aIndians of Central America$zHonduras$zUlúa River Valley$xAntiquities.
650 7 $aAntiquities.$2fast$0(OCoLC)fst00810745
650 7 $aIndian pottery.$2fast$0(OCoLC)fst00969174
650 7 $aIndians of Central America$xAntiquities.$2fast$0(OCoLC)fst00969435
651 7 $aHonduras$zUlúa River Valley.$2fast$0(OCoLC)fst01288195
776 08 $iOnline version:$aJoyce, Rosemary A., 1956- author.$tPainted pottery of Honduras$dLeiden ; Boston : Brill, 2017$z9789004341500$w(DLC) 2017048893
830 0 $aEarly Americas ;$vv. 6.
852 00 $boff,ave$hF1434.2.P8$iJ69 2017g