| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:132828411:1287 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:132828411:1287?format=raw |
LEADER: 01287cam a2200373 i 4500
001 12957781
005 20180124131629.0
008 170227t20182018enkab b 001 0 eng
010 $a 2017009313
020 $a9781138673908$qhardcover
020 $a1138673900$qhardcover
024 $a99974197573
035 $a(OCoLC)ocn974992284
035 $a(OCoLC)974992284
035 $a(NNC)12957781
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dOCLCQ$dYDX$dRES
042 $apcc
050 00 $aML3790$b.S725 2018
082 00 $a384.3$223
100 1 $aSpilker, Hendrik Storstein,$eauthor.
245 10 $aDigital music distribution :$bthe sociology of online music streams /$cHendrik Storstein Spilker.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge,$c2018.
264 4 $c©2018
300 $ax, 207 pages ;$c25 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aRoutledge Advances in Sociology ;$v227
504 $aIncludes bibliographical references and index.
650 0 $aSound recording industry.
650 0 $aMusic and the Internet.
650 0 $aSound recordings$xPirated editions$xSocial aspects.
830 0 $aRoutledge advances in sociology ;$v227.
852 00 $bmus$hML3790$i.S725 2018