Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:24234038:5579 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:24234038:5579?format=raw |
LEADER: 05579cam a2200421Ii 4500
001 12572461
005 20170717135353.0
008 170206t20172017weaac b 000 0 eng d
019 $a971355571
020 $a9781742589220$q(pbk.)
020 $a1742589227$q(pbk.)
035 $a(OCoLC)ocn971535011
035 $a(OCoLC)971535011$z(OCoLC)971355571
035 $a(NNC)12572461
040 $aYDX$beng$erda$cYDX$dBTCTA$dATXAS$dOCLCF$dPIT
050 4 $aN7401$b.I53 2017
082 04 $a704.039915$223
245 00 $aIndigenous archives :$bthe making and unmaking of Aboriginal art /$cedited by Darren Jorgensen and Ian Mclean.
264 1 $aCrawley, W.A. :$bUWA Publishing,$c2017.
264 4 $c©2017
300 $axv, 456 pages :$billustrations, portraits ;$c24 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 00 $tPreface /$rDarren Jorgensen and Ian McLean --$tIntroduction : convergent archives /$rIan McLean ; --$gPart 1: Limits to Archives. --$tReflections on the Rodney Gooch files /$rAnne Marie Brody --$tCreating the archive - research into the history of the Utopia Art Movement /$rChrischona Schmidt --$tThree certificates are not enough: Rover Thomas and Art Centre Archives /$rSuzanne Spunner --$tNamarari and the Papunya Tula Archive : linking art history and biography /$rAlec O'Halloran ; --$gPart 2: Histories From Archives. --$tJohnny Warangula Tjupurrula: history, landscape and La Niña 1974 /$rJohn Kean --$tBetween rocks and hard places: Mary Puntji Clement and teh Kalumburu Art Project /$rPhilippa Jahn --$tWhild styles at the outstation: Jackie Giles and Ngipi Ward at Patjarr /$rDarren Jorgensen ; --$gPart 3: Indigenising Archives. --$tMemory, history, archive: Ngaanyatjarra history paintings /$rEmilia Galatis --$tWukun Wanambi's Nhina, Nhäha, Ga Ngäma (Sit, Look, and Listen) /$rRobert Lazarus Lane --$tOur art, our way: towards an An̲angu art history with Ar̲a Irititja /$rJohn Dallwitz, Janet Inyika, Susan Lowish and Linda Rive --$tThe third archive and artist as archivist /$rMargo Neale ; --$gPart 4: Decolonising Archives. --$tLosing the archive: Julie Gough at the MAA, Cambridge and Christian Thompson at the Pitt Rivers Museum, Oxford /$rJessyca Hutchens --$tBleeding the archive, transforming the mythscape /$rGenevieve Grieves and Odette Kelada --$tAnachronic archive: turning the time of the image of teh Aboriginal avant-garde /$rKhadija von Zinnenburg Carroll --$tAboriginal transformations of the photographic archive /$rJane Lydon --$tKept in silence - an archival travelogue /$rBrook Andrew and Katarina Matiasek --$tAfterword: diagrammatic and database dreamings /$rDarren Jorgensen.
520 $aThe archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous archivists were at work well before the European Enlightenment arrived and began its own archiving. Sometimes at odds, other times not, these two ways of ordering the world have each learned from, and engaged with, the other. Colonialism has been a struggle over archives and its processes as much as anything else.The eighteen essays by twenty authors investigate different aspects of this struggle in Australia, from traditional Indigenous archives and their developments in recent times to the deconstruction of European archives by contemporary artists as acts of cultural empowerment. It also examines the use of archives developed for other reasons, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview of archival research in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.
520 $aThe archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous archivists were at work well before the European Enlightenment arrived and began its own archiving. Sometimes at odds, other times not, these two ways of ordering the world have each learned from, and engaged with, the other. Colonialism has been a struggle over archives and its processes as much as anything else. The eighteen essays by twenty authors investigate different aspects of this struggle in Australia, from traditional Indigenous archives and their developments in recent times to the deconstruction of European archives by contemporary artists as acts of cultural empowerment. It also examines the use of archives developed for other reasons, such as the use of rainfall records to interpret early Papunya paintings. Indigenous Archives is the first overview of archival research in the production and understanding of Indigenous culture. Wide-ranging in its scope, it reveals the lively state of research into Indigenous histories and culture in Australia.
650 0 $aArt, Aboriginal Australian.
650 0 $aPainting, Aboriginal Australian.
650 0 $aArchives in art.
650 7 $aArchives in art.$2fast$0(OCoLC)fst01902404
650 7 $aArt, Aboriginal Australian.$2fast$0(OCoLC)fst00815847
650 7 $aPainting, Aboriginal Australian.$2fast$0(OCoLC)fst01050639
700 1 $aJorgensen, Darren,$eeditor.
700 1 $aMcLean, Ian,$d1952-$eeditor.
852 00 $bfaxlc$hN7401$i.I55 2017g