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MARC Record from marc_columbia

Record ID marc_columbia/Columbia-extract-20221130-026.mrc:24264184:3126
Source marc_columbia
Download Link /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:24264184:3126?format=raw

LEADER: 03126pam a2200469 i 4500
001 12572472
005 20170717135354.0
008 170117t20172017nyuaf b 001 0beng
010 $a 2017001968
019 $a986521166
020 $a9781250129352$qhardcover
020 $a1250129354$qhardcover
020 $z9781250129369$qelectronic book
024 $a40027192136
035 $a(OCoLC)ocn957021224
035 $a(OCoLC)957021224$z(OCoLC)986521166
035 $a(NNC)12572472
040 $aDLC$beng$erda$cDLC$dYDX$dBDX$dOCLCO$dOCLCQ$dFM0$dNhCcYBP
042 $apcc
043 $ae-it---
050 00 $aN6923.L33$bI83 2017
082 00 $a709.2$aB$223
084 $aART015080$aBIO001000$2bisacsh
100 1 $aIsbouts, Jean-Pierre,$eauthor.
245 10 $aYoung Leonardo :$bthe evolution of a revolutionary artist, 1472-1499 /$cJean-Pierre Isbouts and Christopher Heath Brown.
250 $aFirst edition.
264 1 $aNew York, N.Y. :$bThomas Dunne Books, an imprint of St. Martin's Press,$c2017.
264 4 $c©2017
300 $avi, 231 pages, 8 unnumbered pages of plates :$billustrations (some color) ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 $a"The traditional view of Leonardo da Vinci's career is that he enjoyed a promising start in Florence and then moved to Milan to become the celebrated court artist of Duke Ludovico Sforza. Young Leonardo proves all of this wrong. It reveals how the struggling painter was repeatedly snubbed by the prevailing trends of Florentine style before escaping to Milan empty-handed. But Milan offered little more; Sforza's patronage was lukewarm, to say the least, and all the major commissions went to artists whose names are now forgotten. How did the amateur become one of the all-time greatest masters? Slowly, meticulously, disastrously. Focusing on an often neglected period in Leonardo's life, here is a fascinating window into the artist's mind as he develops the techniques that will transform Western art forever. Because before there could be a Last Supper, a Mona Lisa, a St. Anne, there had to be a young Leonardo"--$cProvided by publisher.
504 $aIncludes bibliographical references (pages [211]-218) and index.
505 0 $aPart I. Toward the Adoration of The Magi: Leonardo's early oeuvre in Florence -- Prologue -- Beginnings in Florence -- The Adoration of the Magi -- Part II. Towrad The Last Supper: Leonardo's oeuvre in Milan -- An artist in Milan -- The Sforza commissiions -- The Pala Sforzesca -- The Santa Maria delle Grazie -- Montorfano's Crucifixion with Donors -- The theme of The Last Supper -- Painting The Last Supper -- Seeing The Last Supper with new eyes.
600 00 $aLeonardo,$cda Vinci,$d1452-1519$xChildhood and youth.
650 0 $aArtists$zItaly$vBiography.
650 7 $aART$xHistory$xRenaissance.$2bisacsh
650 7 $aBIOGRAPHY & AUTOBIOGRAPHY$xArtists, Architects, Photographers.$2bisacsh
655 7 $aBiographies.$2lcgft
700 1 $aBrown, Christopher Heath,$eauthor.
852 00 $bfaxlcn$hN6923.L33$iI83 2017