MARC Record from marc_columbia

LEADER: 04150cam a2200565Ii 4500
001 12678561
005 20210215093338.0
008 170630t20172017gw ag c 000 0deng d
035 $a(OCoLC)ocn990742415
040 $aOHX$beng$erda$cOHX$dYDX$dCLART$dJPG$dZYU$dUKTTE$dMNU$dOCLCF
019 $a992306933
020 $a9783956793325$q(pbk.)
020 $a3956793323
024 3 $a9783956793325
035 $a(OCoLC)990742415$z(OCoLC)992306933
041 1 $aeng$aalb$heng
050 4 $aN7255.A43$bQ952 2017
050 4 $aN7255.A43$bQ532 2017
072 7 $aTR$2lcco
080 $aQYLAFI
082 04 $a759.94965$223
049 $aZCUA
245 00 $aLeonard Qylafi :$bpavilion of the Republic of Albania at the 57th International Art Exhibition - La Biennale di Venezia /$ceditor, Vanessa Joan Müller ; translation to Albanian, Ervin Xhinaku.
246 14 $aOccurrence in present tense =$bNdodhi në kohën e tashme
246 31 $aNdodhi në kohën e tashme
264 1 $aBerlin :$bSternberg Press,$c[2017]
264 4 $c©2017
300 $a112 pages :$bchiefly color illustrations, music ;$c30 cm
336 $astill image$bsti$2rdacontent
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aRecollection is the presence of the past in the here and now; it shapes our understanding of our places and lives, their histories and changes. As experience becomes fact, the past turns into objective matter. Leonard Qylafi?s artistic practice takes such material records as books, films, or photos as points of departure for examining this process of change. His paintings and videos are as much investigations of the processes shaping the narration of events in his home country of Albania as they are reflections on the nature of the image as such. Conceived for the Albanian Pavilion at the 57th Venice Biennale, the publication features images of Qylafi?s works alongside extensive documentation and notes of his source material.00Exhibition: Albanian Pavilion, Venice Biennale, Italy (13.05-26.11.2017).
546 $aText in English and Albanian.
500 $aPublished on the occasion of the exhibition in the Albania pavilion of the 57th International Art Exhibition - la Biennale di Venezia, held at the Arsenale, Venice, May 13-November 26, 2017.
500 $a"La Biennale di Venezia. 57. esposizione internazionale d'arte. Partecipazioni nazionali"--Colophon.
520 $aRecollection is the presence of the past in the here and now; it shapes our understanding of our places and lives, their histories and changes. As experience becomes fact, the past turns into objective matter. Leonard Qylafis artistic practice takes such material records as books, films, or photos as points of departure for examining this process of change. His paintings and videos are as much investigations of the processes shaping the narration of events in his home country of Albania as they are reflections on the nature of the image as such. Conceived for the Albanian Pavilion at the 57th Venice Biennale, the publication features images of Qylafis works alongside extensive documentation and notes of his source material. Edited by Vanessa Joan Mller with an essay by Cathryn Drake, Occurrence in Present Tense reminds us that there is no single memory, only a plural understanding of history molded by the interests of the present.
600 10 $aQylafi, Leonard,$d1980-$vExhibitions.
611 20 $aBiennale di Venezia$n(57th :$d2017 :$cVenice, Italy)
611 27 $aBiennale di Venezia.$2fast$0(OCoLC)fst01405621
650 0 $aArt, Albanian$y21st century$vExhibitions.
650 7 $aArt, Albanian.$2fast$0(OCoLC)fst00815889
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aMüller, Vanessa,$eeditor.
700 1 $aXhinaku, Ervin,$etranslator.
700 12 $aQylafi, Leonard,$d1980-$tWorks.$kSelections.
710 2 $aArsenale di Venezia,$ehost institution.
711 2 $aBiennale di Venezia$n(57th :$d2017 :$cVenice, Italy),$jissuing body.
852 00 $boff,fax$hN7255.A43$iQ532 2017g