Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:48059718:2354 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:48059718:2354?format=raw |
LEADER: 02354cam a2200361Ia 4500
001 12761786
005 20171220111812.0
008 170714s2016 dk ac 000 0 eng d
020 $a9788792988188
020 $a8792988180
035 $a(OCoLC)on1007837332
035 $a(OCoLC)1007837332
035 $a(NNC)12761786
040 $aNYPIC$beng$cNYPIC$dOCLCQ$dNNC
100 1 $aTate, Jordan.
245 10 $aPrefaces and Appendices /$cJordan Tate.
246 3 $aPrefaces
246 3 $aAppendices
246 30 $aPrefaces :$bJordan Tate
260 $a[Kopenhagen] :$bLodret Vandret,$c[2016]
300 $a2 volumes [154 pages and 192] pages :$bchiefly illustrations ;$c16 x 22 cm & 25 x 29 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aEdition of 300.
505 2 $aThe publication includes essays by a select group of curators, directors and artists that all respond to and/or contextualise Tate's work: Amalie Smith --- Lap Le--Brendan Embser Wattenberg--Nicholas O'Brien--Stephanie Sadre-Orafai--Cori Kirsch--Tim Davis--Rick Silva--Abigail Susik--Justine Ludwig.
520 $aPrefaces and Appendices, together, constitute an artist's book by Jordan Tate. Prefaces is driven by the potential of the unrealised. At first glance, Tate appears to have one of the strongest exhibition histories of any contemporary artist. It boasts installation shots of the Swiss Institute in New York, Pilar Corrias Gallery in London, Wiels in Brussels and even immaculate depictions of his work hanging in the Guggenheim. This is all artifice. These images are Tate's latest body of work titled Prefaces. For this series, he has constructed various works and then taken on the role of curator and created exhibitions. While composed solely in digital space, they read as pristine installation documentation, taken in physical space. In these photographs, light veils of shadow fall on perfect white walls and mirage-like reflections spread across high-shine gallery floors. Tate harnesses the power of the white cube as a validation, as a signifier of what is art of value. - Justine Ludwig.
600 10 $aTate, Jordan.
650 0 $aArtists' books.
650 0 $aPhotography of interiors.
650 0 $aPhotocollage.
852 01 $bfaxlcn$hN6537.T37$iA4 2017g
866 41 $80$a[v.1-2]