Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:54341373:3325 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:54341373:3325?format=raw |
LEADER: 03325pam a2200565 i 4500
001 12799551
005 20220307143454.0
008 170126s2017 inuab b s001 0 eng c
010 $a 2017003819
020 $a9780253026057$qpaperback
020 $a0253026059$qpaperback
024 $a40027327613
035 $a(OCoLC)ocn958479341
035 $a(OCoLC)958479341
035 $a(NNC)12799551
040 $aIEN/DLC$beng$erda$cINU$dDLC$dYDX$dBTCTA$dBDX$dERASA$dOCLCF$dOCLCQ$dMYG$dNhCcYBP
042 $apcc
043 $af-sg---
050 04 $aN7399.S42$bD354 2017
082 04 $a709.66309051$223
100 1 $aGrabski, Joanna,$eauthor.
245 10 $aArt world city :$bthe creative economy of artists and urban life in Dakar /$cJoanna Grabski.
264 1 $aBloomington, Indiana :$bIndiana University Press,$c[2017]
300 $axiii, 307 pages ;$c23 cm.
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
490 1 $aAfrican expressive cultures
504 $aIncludes bibliographical references and index.
505 00 $tIntroduction. Dakar's art world city --$tMaking the city's scene: visibility, exhibition culture, and mediatization --$tMapping the Dak'art Biennale in Dakar --$tA place from which to speak: artists' studios as infrastructure of opportunity --$tFrom street to studio: sourcing the materials for art from urban life --$tPicturing the city --$tMarket space and urban space: the business of selling art in the city --$tEpilogue. Reflections on Dakar's art world city: infrastructures, vision-oriented subjectivities, and implications.
520 8 $aArt World City' focuses on contemporary art and artists in the city of Dakar, a famously thriving art metropolis in the West African nation of Senegal. Joanna Grabski illuminates how artists earn their livelihoods from the city s resources, possibilities, and connections. She examines how and why they produce and exhibit their work and how they make an art scene and transact with art world mediators such as curators, journalists, critics, art lovers, and collectors from near and far. Grabski shows that Dakar-based artists participate in a platform that has a global reach. They extend Dakar's creative economy and the city's urban vibe into an "art world city."
611 20 $aDak'art (Exhibition)
650 0 $aArt, Modern$y21st century.
650 0 $aArt, Modern$y20th century.
650 0 $aArt, Senegalese$y21st century.
650 0 $aArt, Senegalese$y20th century.
650 0 $aArtists$zSenegal$zDakar.
650 0 $aArt$zSenegal$zDakar$vExhibitions.
611 27 $aDak'art (Exhibition)$2fast$0(OCoLC)fst01542030
650 7 $aArt.$2fast$0(OCoLC)fst00815177
650 7 $aArt, Modern.$2fast$0(OCoLC)fst00816615
650 7 $aArt, Senegalese.$2fast$0(OCoLC)fst00816868
650 7 $aArtists.$2fast$0(OCoLC)fst00817559
651 7 $aSenegal$zDakar.$2fast$0(OCoLC)fst01206416
648 7 $a1900-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
776 08 $iOnline version:$aGrabski, Joanna.$tArt world city.$dBloomington, Indiana : Indiana University Press, [2017]$z9780253026224$w(DLC) 2017005324
830 0 $aAfrican expressive cultures.
852 00 $bfaxlc$hN7399.S42$iD354 2017g
852 00 $bafst$hN7399.S42$iD354 2017g