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LEADER: 05584cam a2200601 i 4500
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050 00 $aPN1995.9.E96$bS77 2014
082 04 $a791.43/61109438$223
245 04 $aThe struggle for form :$bperspectives on Polish avant-garde film, 1916-1989 /$cedited by Kamila Kuc & Michael O'Pray.
264 1 $aLondon ;$aNew York :$bWallflower Press,$c[2014]
264 4 $c©2014
300 $aix, 182 pages :$billustrations ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 163-174), filmography (pages 175-178) and index.
505 0 $aIntroduction -- The Themersons and the Polish avant-garde: Warsaw -- Paris -- London / A.L. Rees -- 'The inexpressible unearthly beauty of the cinematograph': the impact of Polish futurism on the first Polish avant-garde films / Kamila Kuc -- Excepts from the 'archives' of the Polish avant-garde -- The search for a 'more spacious form': experimental trends in Polish documenary (1945-1989) / Mikołaj Jazdon -- Avant-garde and the thaw: experimentation in Polish cinema of the 1950s and 1960s / Marcin Giźycki -- Avant-garde exploits: the cultural highs and lows of Polish émigré cinema / Jonathan L. Owen -- The mechanical imagination -- creativity of machines: film form workshop 1970-1977 / Ryszard Kluszczyński -- The 1980s: from specifying to the new tradition -- avant-garde film and video art in Poland / Ryszard Kluszczyński -- Film form workshop statements -- A rebellion à la polonaise / Mateusz Werner.
520 $aThe Struggle for Form: Perspectives on Polish Avant-Garde Film 1916-1989 is the first comprehensive account of the Polish avant-grade film in English from its beginning in the early decades of the last century to the collapse of communism in 1989. Taking a broad understanding of avant-garde film, this collection includes writings on the pioneering work of the internationally acclaimed Franciszka and Stefan Themerson; the Polish Futurists' (Jalu Kurek, Anatol Stern) engagement with film; The Thaw and animation(Jan Lenica and Walerian Borowczyk, Andrzej Pawlowski, Zbigniew Rybczynski;) documentary (Natalia Brzozowska, Kazimierz Karabasz, Wojciech Wiszniewski), Polish émigré filmmakers (Roman Polan Jerzy Skolimowski, Andrzej Zulawski) as well as essays and documentation on the widely known Film Form Workshop (Józef Robakowski, Ryszard Wasko, Wojciech Bruszewski). Including the mixture of historical writing from early film magazines with commissioned eassays, this book constitutes an important source on the rich, complex and influential history of the Polish film avant-garde, which is presented from the perspective of both British (A.L. Ress, Jonathan Owen, Michael O'Pary) and Polish (Marcin GiZycki, Ryszard Kluszczynski, Kamila Kuc) authorities on the Subject. This volume is thus an indispensable introduction to the theories and practices of critically important avant-garde artists and filmmakers. Book jacket.
650 0 $aExperimental films$zPoland$xHistory$y20th century.
650 0 $aAvant-garde (Aesthetics)$zPoland$xHistory$y20th century.
650 7 $aAvant-garde (Aesthetics)$2fast$0(OCoLC)fst00824280
650 7 $aExperimental films.$2fast$0(OCoLC)fst00918452
651 7 $aPoland.$2fast$0(OCoLC)fst01206891
650 7 $aExperimentalfilm.$0(DE-588)4153359-8$2gnd
651 7 $aPolen.$0(DE-588)4046496-9$2gnd
650 7 $aAvantgardefilm, Polen.$2sfit
648 7 $a1900-1999$2fast
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
700 1 $aKuc, Kamila,$eeditor.
700 1 $aO'Pray, Michael,$eeditor.
880 0 $6505-00$aIntroduction 1. The Themersons and the Polish Avant-Garde: Warsaw �Paris �London, by A. L. Rees 2. 'The Inexpressible Unearthly Beauty of the Cinematograph': The Impact of Polish Futurism on the First Polish Avant-Garde Films, by Kamila Kuc Excerpts from the 'Archives' of the Polish Avant-Garde 3. The Search for a 'More Spacious Form': Experimental Trends in Polish Documentary (1945 �1989), by Mikołaj Jazdon 4. Avant-Garde and the Thaw: Experimentation in Polish Cinema of the 1950s and 1960s , by Marcin Giżycki 5. Avant-Garde Exploits: The Cultural Highs and Lows of Polish Émigré Cinema, by Jonathan L. Owen 6. The Mechanical Imagination �Creativity of Machines: Film Form Workshop 1970 �1977 , by Ryszard Kluszczyński 7. The 1980s: From Specificity to the New Tradition �Avant-Garde Film and Video Art in Poland, by Ryszard Kluszczyński Film Form Workshop Statements 8. A Rebellion à la Polonaise, by Mateusz Werner Bibliography.
852 00 $bglx$hPN1995.9.E96$iS77 2014