| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:56309355:1043 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:56309355:1043?format=raw |
LEADER: 01043cam a2200277Ia 4500
001 12802373
005 20171016133842.0
008 170630s2016 be a c 000 0 eng d
020 $a9782930777177
020 $a2930777176
035 $a(OCoLC)ocn989765266
035 $a(OCoLC)989765266
035 $a(NNC)12802373
040 $aERASA$beng$cERASA$dJPG$dNNC
050 4 $aND673.A53$bA4 2016
082 04 $a700.411
100 1 $aAncart, Harold,$d1980-
245 10 $aThere is no there there :$bHarold Ancart /$ctext by David Breslin.
246 30 $aHarold Ancart :$bthere is no there there
260 $a[Brussels, Belgium] :$bTriangle Books,$c2016.
300 $a[64] p. :$bcol. ill. ;$c19 x 25 cm.
500 $aEdition of 500.
520 8 $aIn 2014 Belgian artist Harold Ancart bought a car and drove it from NY to LA back and forth. He turned the trunk of the car into a mobile studio where he could draw. He also took pictures.
600 10 $aAncart, Harold,$d1980-$vCatalogs.
700 1 $aBreslin, David.
852 00 $bfaxlc$hND673.A53$iA4 2016g