MARC Record from marc_columbia

LEADER: 03857cam a2200661Ii 4500
001 12806185
005 20170918171814.0
008 170804t20172017quca bcq 000 0deng d
015 $a20169421732$2can
019 $a977609137
020 $a9782551256945$q(paperback)
020 $a2551256941$q(paperback)
035 $a(OCoLC)ocn962422728
035 $a(OCoLC)962422728$z(OCoLC)977609137
035 $a(NNC)12806185
040 $aCaQMBN$beng$erda$cNLC$dOCLCO$dBTCTA$dOCLCF$dLTSCA$dUAB$dERASA$dYDX$dOCLCQ$dOCLCO
041 0 $afre$aeng
043 $an-cn-qu
050 4 $aN6549.L558$bA4 2017
055 3 $aN6549 L52$bA4 2017
082 04 $a709.2$223
100 1 $aLicha, Emanuel,$d1971-$eartist,$eauthor.
240 10 $aWorks.$kSelections
245 10 $aEmanuel Licha :$bet maintenant regardez cette machine /$c[texts by] Lesley Johnstone, Emanuel Licha, Volker Pantenburg, Susan Schuppli.
246 30 $aEt maintenant regardez cette machine
264 1 $aMontréal :$bMusée d'art contemporain de Montréal,$c[2017]
264 4 $c©2017
300 $a143 pages :$bcolor illustrations ;$c25 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aCatalogue of an exhibition held at the Musée d'art contemporain de Montréal, Febuary 16-May 14, 2017.
504 $aIncludes bibliographical references and filmography.
546 $aText in French and English.
520 8 $aBeirut, Sarajevo, Gaza, Kiev, Belgrade - these places are indelibly linked to war and conflict in the modern era. In the minds of most Westerners, they also exist in a hazy mix of fact and fiction. Between official government statements and unofficial reports of attacks, riots, uprisings and reprisals, reality on the ground is hard to determine. So, how can we know what we know? The question resonates through the work of filmmaker and artist, Emanuel Licha, who has spent the past 10 years exploring the front-line perspectives of both participants and journalists. Published to accompany a nationally traveling exhibition, this publication documents an installation version of Licha?s creative documentary Hotel Machine. Filmed in the hotels and safe-havens that house war correspondents, the film is presented in a central space surrounded by five adjacent archive stations, which through texts, images and other documents explore aspects of the concept of the?war hotel.? For Licha, the hotels represent?gaze shapers? that play a central role in the landscape of war and in his own work. The publication's title is from Kafka's In The Penal Colony. In English and French.
600 10 $aLicha, Emanuel,$d1971-$vExhibitions.
630 00 $aHotel machine.
650 0 $aInstallations (Art)$vExhibitions.
650 0 $aArt, Canadian$zQuébec (Province)$y21st century$vExhibitions.
650 0 $aHotels in art$vExhibitions.
650 0 $aWar in mass media$vExhibitions.
600 16 $aLicha, Emanuel,$d1971$vExpositions.
650 6 $aInstallations (Art)$vExpositions.
650 6 $aArt canadien$zQuébec (Province)$y21e siècle$vExpositions.
650 6 $aHôtels dans l'art$vExpositions.
650 6 $aGuerre dans les médias$vExpositions.
600 17 $aLicha, Emanuel,$d1971-$2fast$0(OCoLC)fst01662167
650 7 $aArt, Canadian.$2fast$0(OCoLC)fst00816079
650 7 $aInstallations (Art)$2fast$0(OCoLC)fst00974250
651 7 $aQuébec.$2fast$0(OCoLC)fst01207316
648 7 $a2000-2099$2fast
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
700 1 $aPantenburg, Volker,$d1973-$eauthor.
700 1 $aJohnstone, Lesley,$eauthor.
700 1 $aSchuppli, Susan,$eauthor.
710 2 $aMusée d'art contemporain de Montréal,$eissuing body.
852 00 $bfaxlc$hN6549.L558$iA4 2017g