| Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:57711609:1880 |
| Source | marc_columbia |
| Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:57711609:1880?format=raw |
LEADER: 01880cam a2200337Ii 4500
001 12806198
005 20170918171817.0
008 170804s2017 nyuaf 000 0 eng d
010 $a 2017935003
020 $a9780300230352
020 $a0300230354
035 $a(OCoLC)ocn987372391
035 $a(OCoLC)987372391
035 $a(NNC)12806198
040 $aERASA$beng$cERASA$dYUS$dOCLCO$dCDX$dVA@$dYDX$dOCLCF
050 4 $aN6537.B578$bA4 2017
082 04 $a700.411
100 1 $aBochner, Mel,$d1940-$eartist.
245 10 $aMel Bochner :$bVoices /$cessay by Jeremy Sigler.
264 1 $aNew York, NY :$bPeter Freeman, Inc.,$c[2017]
300 $a1 volume (unpaged), 35 plates :$bchiefly illustrations (some color) ;$c31 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
520 8 $aMel Bochner (b. 1940) is recognized as one of the leading figures in the development of Conceptual art in New York in the 1960s and 1970s. He pioneered the introduction of the use of language in the visual, probing the way they relate to one another to make us more attentive to the unspoken codes that underpin our visual engagement with the world. Featuring color plates of more than thirty new, previously unpublished paintings, and accompanied by an essay by Jeremy Sigler, this handsome publication offers a new perspective on Mel Bochner's career-long engagement with language and painting. Sigler points to how Bochner's newest images poignantly signal a return to visceral materiality, revealing the unexpected painterly roots of his body of work.
600 10 $aBochner, Mel,$d1940-
600 17 $aBochner, Mel,$d1940-$2fast$0(OCoLC)fst00166924
650 0 $aConceptual art.
650 7 $aConceptual art.$2fast$0(OCoLC)fst00872980
700 1 $aSigler, Jeremy,$ewriter of essay.
852 00 $bfaxlc$hN6537.B578$iA4 2017g