Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:66755228:2472 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:66755228:2472?format=raw |
LEADER: 02472cam a2200325 i 4500
001 12826540
005 20171016134155.0
008 170303s2017 enka b 001 0 eng d
020 $a9781784537180$qhardback
020 $a1784537187$qhardback
024 $a40027373453
035 $a(OCoLC)993778614
035 $a(OCoLC)ocn993778614
035 $a(NNC)12826540
040 $aERASA$beng$erda$cERASA$dNhCcYBP
050 4 $aPN1995.9.E96$bO84 2017
082 04 $a791.43611$223
245 00 $aOther cinemas :$bpolitics, culture and experimental film in the 1970s /$cedited by Sue Clayton and Laura Mulvey.
264 1 $aLondon :$bI.B. Tauris & Co. Ltd.,$c2017.
300 $ax, 357 pages :$billustrations ;$c23 cm
336 $atext$btxt$2rdacontent
336 $astill image$bsti$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 331-345) and index.
520 8 $aIts innovations and debates have had far-reaching and long-lasting influence, with a resurgence of interest in the decade revealed by new gallery events, film screenings and social networks that recognise its achievements. Professor Laura Mulvey, and writer and director Sue Clayton, bring together journalists and scholars at the cutting edge of research into 1970s radical cinema for this collection. Chapters are at once historically grounded yet fused with the current analysis of today's generation of cine-philes, to rediscover a unique moment for extraordinary film production. Other Cinemas establishes the factors that helped to shape alternative film: world cinema and internationalism, the politics of cultural policy and arts funding, new accessible technologies, avant-garde theories, and the development of a dynamic and interactive relationship between film and its audiences.Exploring and celebrating the work of The Other Cinema, the London Film-makers' Co-op and other cornerstones of today's film culture, as well as the impact of creatives such as Stephen Dwoskin, Derek Jarman, and Sally Potter - and Mulvey and Clayton themselves - this important book takes account of a wave of socially aware film practice without which today's activist, queer, minority and feminist voices would have struggled to gather such volume.
650 0 $aExperimental films$xHistory and criticism.
700 1 $aClayton, Sue,$eeditor.
700 1 $aMulvey, Laura,$eeditor.
852 00 $bglx$hPN1995.9.E96$iO84 2017