Record ID | marc_columbia/Columbia-extract-20221130-026.mrc:7969292:3154 |
Source | marc_columbia |
Download Link | /show-records/marc_columbia/Columbia-extract-20221130-026.mrc:7969292:3154?format=raw |
LEADER: 03154cam a2200577 i 4500
001 12520050
005 20170619165412.0
008 161220s2017 enk b 001 0 eng
010 $a 2016039526
019 $a960836741$a960837136
020 $a9781138238084$qhardback$qalkaline paper
020 $a1138238082$qhardback$qalkaline paper
020 $z9781138238077$qpaperback$qalkaline paper
020 $z9781315298177$qebook
020 $z9781315298160$qWelectronic book electronic book
020 $z9781315298153$qelectronic book
020 $z9781315298146$qmobipocket
020 $a1138238074
020 $a9781138238077
024 $a40027173545
035 $a(OCoLC)ocn966667912
035 $a(OCoLC)966667912$z(OCoLC)960836741$z(OCoLC)960837136
035 $a(NNC)12520050
040 $aDLC$beng$erda$cDLC$dOCLCO$dBDX$dOCLCF$dOCLCQ$dYDX$dYDX$dOCLCO$dERASA
042 $apcc
043 $ae-uk-en
050 00 $aPR3071$b.M27 2017
082 00 $a822.3/3$223
100 1 $aMarcus, Leah S.$q(Leah Sinanoglou),$eauthor.
245 10 $aHow Shakespeare became colonial :$beditorial traditions and the British Empire /$cLeah S. Marcus.
264 1 $aAbingdon, Oxon ;$aNew York, NY :$bRoutledge, an imprint of the Taylor & Francis Group,$c2017.
300 $aviii, 167 pages ;$c25 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references and index.
505 0 $aThe construction of a colonial Shakespeare -- Race and gender in the two texts of Othello -- The shrew in colonial contexts -- Anti-conquest and As you like it -- Shylock and Empire -- Editing Shakespeare for the Raj.
520 8 $aIn this fascinating book, Leah Marcus argues that the colonial context in which Shakespeare was edited and disseminated during the heyday of British empire has left a mark on Shakespeare's texts to the present day. Shakespeare was presented as exemplary of British genius and those who edited and shaped the texts were very aware of the potential political and cultural impact this could have. Marcus traces important ways in which the colonial enterprise of setting forth the best possible Shakespeare for world consumption has continued to be visible in the recent treatment of Shakespeare's texts today, despite our belief that we are global or post-colonial in approach.
600 10 $aShakespeare, William,$d1564-1616$xCriticism, Textual.
600 17 $aShakespeare, William,$d1564-1616.$2fast$0(OCoLC)fst00029048
650 0 $aTransmission of texts$zEngland$xHistory$y18th century.
650 0 $aLiterature and society$zEngland$xHistory$y18th century.
650 0 $aEnglish imprints.
650 7 $aEnglish imprints.$2fast$0(OCoLC)fst00910911
650 7 $aLiterature and society.$2fast$0(OCoLC)fst01000096
650 7 $aTransmission of texts.$2fast$0(OCoLC)fst01154863
651 7 $aEngland.$2fast$0(OCoLC)fst01219920
648 7 $a1700-1799$2fast
655 7 $aCriticism, interpretation, etc.$2fast$0(OCoLC)fst01411635
655 7 $aHistory.$2fast$0(OCoLC)fst01411628
852 00 $bglx$hPR3071$i.M27 2017