MARC Record from marc_columbia

LEADER: 04088cam a2200445 i 4500
001 12852612
005 20200511145256.0
008 170918s2017 enka b 000 0 eng d
015 $aGBB7E8153$2bnb
016 7 $a018310517$2Uk
019 $a1008094123
020 $a099561251X
020 $a9780995612518
035 $a(OCoLC)986951962
035 $a(NNC)12852612
037 $a84105
040 $aYDX$beng$cYDX$dERASA$dEQO$dOCLCO$dBDX$dOCLCF$dBTCTA$dCAM$dAVA$dNUI$dOCL$dZWU$dEYM$dBP1$dUX0$dTFW$dPAU$dTOH$dGZM$dZHM$dU3G$dCIA$dUKMGB$dEUM$erda
050 4 $aN6494.C6$bE524 2017
066 $c(S
080 $a745.54 END
082 04 $a700.411
245 04 $aThe ends of collage /$cedited by Yuval Etgar.
264 1 $aLondon :$bLuxembourg & Dayan,$c2017.
300 $a235 pages :$bcolor illustrations ;$c21cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
500 $aPublished to accompany exhibition of the same name held at: Luxembourg & Dayan, New York, 27 February-15 April 2017; Luxembourg & Dayan, London, 9 March-13 May 2017.
520 8 $aThe title 'The Ends of Collage', refers both literally and metaphorically to the place where collage fulfils its calling -- at the ends or edges of pictures and fragments, where separate worlds come together or break apart from one another. But it also suggests an historical paradigm, where collage is considered as a medium that existed in the so called "age of mechanical reproduction" and has now been overcome by the new logic of the digital age. The book attempts to survey different approaches to- and definitions of collage and the role of this medium in two crucial historical moments: its emergence in the early decades of the 20th century, and the introduction of digital media during the postmodern moment of the late 1970s and early 1980s.
504 $aIncludes bibliographical references.
505 0 $aForeword : why collage now? -- The ends of collage / Yuval Etgar -- The forerunners / Herta Wescher -- Free-word poetry / Christine Poggi -- Collage / Clement Greenberg -- Towards a definition of Surrealist collage / Elza Adamowicz -- The challenge to painting / Louis Aragon -- Beyond painting / Max Ernst -- Collage / Jean (Hans) Arp -- On collage / Hannah Höch -- From detail to fragment : décollage affichiste / Benjamin H. D. Buchloch -- The cutting edge / Brandon Taylor -- Cutting and framing / John Stezaker -- Twelve fragments to take off (in 40,000 signs) / Groupe -- The allegorical impulse : toward a theory of postmodernism / Craig Owens -- Pictures / Douglas Crimp -- Practicing without a license 1977 / Richard Prince -- Statement / Sherrie Levine -- Image simulations, computer manipulations : some considerations / Martha Rosler -- On edge / Ali Smith.
650 0 $aCollage$vExhibitions.
650 7 $aCollage.$2fast$0(OCoLC)fst00867085
655 4 $aExhibition catalogues.
655 7 $aExhibition catalogs.$2fast$0(OCoLC)fst01424028
655 7 $aExhibition catalogs.$2gmgpc
700 1 $aEtgar, Yuval.$eeditor.
710 2 $aLuxembourg & Dayan (Gallery)
880 2 $6505-00/(S$aForeword : why collage now-- The ends of collage / Yuval Etgar -- -- Plates -- The forerunners / Herta Wescher -- Free-word poetry / Christine Poggi -- Collage / Clement Greenberg -- Towards a definition of Surrealist collage / Elza Adamowicz -- The challenge to painting / Louis Aragon -- Beyond painting / Max Ernst -- Collage / Jean (Hans) Arp -- On collage / Hannah Höch -- From detail to fragment : décollage affichiste / Benjamin H. D. Buchloch -- The cutting edge / Brandon Taylor -- Cutting and framing / John Stezaker -- Twelve fragments to take off (in 40,000 signs) / Groupe μ -- The allegorical impulse : toward a theory of postmodernism / Craig Owens -- Pictures / Douglas Crimp -- Practicing without a license 1977 / Richard Prince -- Statement / Sherrie Levine -- Image simulations, computer manipulations : some considerations / Martha Rosler -- On edge / Ali Smith.
852 00 $boff,fax$hN6494.C6$iE524 2017g